AikiWeb: The Source for Aikido Information AikiWeb's principal purpose is to serve the Internet community as a repository and dissemination point for aikido information.
Hello and thank you for visiting AikiWeb, the
world's most active online Aikido community! This site is home to
over 22,000 aikido practitioners from around the world and covers a
wide range of aikido topics including techniques, philosophy, history,
humor, beginner issues, the marketplace, and more.
If you wish to join in the discussions or use the other advanced
features available, you will need to register first. Registration is
absolutely free and takes only a few minutes to complete so sign up today!
Sensei was teaching some interesting new technique variations for ushiro on Monday. We did Sankyo from Ushiro. And he had us walk uke around nage backwards in a sankyo hold to ensure we had proper control before then going into shiho nage. I had lots of fun with this one because it's a bit difficult to transition from sankyo into shihonage and my partner didn't quite get it either. So we looked like a couple of dancers who were doing the dance a bit wrong till sensei came up and grabbed my arm in a sankyo to demonstrate it and had me walk backwards around him...since he's taller than me, I of course went up on the balls of my feet immediately and danced backward...and elicited a "good dancer!", "good ukemi" from him much to my surprise.
I always knew learning the argentine tango would be good for my aikido . Now that's a dance that really requires the girl to stick close to the guy and follow very intuitively.
Now if I could only do equally responsive ukemi from the "windmill" throw, or a shihonage breakfall. That's much harder to do. I would also love to be able to do really soft ukemi and land from a breakfall without making much noise.