Shoshin Ni Kaeru by Ross Robertson
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My first aikido instructor, Bill Sosa, was an exceptionally patient
and loving man. Despite his considerable skills, he preferred to
remain humble. He always comported himself as a gentleman. His
technique was strong, impeccably controlled, and unambiguous. He was
a handsome and very charismatic man -- someone you instinctively
wanted to please, and feared disappointing.
After some time in training, I began to feel that progress was being
made. Eventually I asked the question that probably most students in
any dojo will ask: "So, how am I doing, Sensei?" I waited with
innocent curiosity. His twinkling eyes slightly narrowed, Bill calmly
turned and said in a perfectly matter-of-fact tone, "Well, frankly,
not very good." He then sized me up as if picking through vegetables
at the market. My posture was lousy, he said. I couldn't keep my
one-point. I was always looking for and leaning on outside support.
I felt humiliated. My face burned with a scalding shame. I was angry
at him. Wasn't this the man who was supposed to be encouraging us,
raising us up to new heights? In spite of my anger, I continued to
train, determined to prove him wrong about me. As time went by, I
observed others commit the same faux pas. I would watch as our
beloved teacher systematically flayed skin from bone, leaving new
students raw, bleeding, and exposed. Whatever particular fault he
found, he would always come back to the same theme: You are leaning
on some outside support that doesn't exist.
The pattern was so consistent that I finally deciphered his code. He
didn't really care all that much about the little imperfections he so
casually laid bare. After all, he knew we were beginners. What he
would not tolerate was the tendency to make him more of an authority
over ourselves than we were. Although the punishment seemed brutal,
his message was not. We needed to learn how to evaluate ourselves, to
stand on our own feet. He was insisting that we be our own authority.
He was there to help us learn expertise, not to hold himself up as
The Expert.
Now, with my own students, I try to convey the same idea, but a bit
more gently. "Sensei, am I doing this right?" No, but neither am I.
You're doing fine, keep on improving. How does it feel to you?
There is the old saying that perfection is the enemy of good. In a
similar spirit, I would also suggest that knowledge is the enemy of
learning, and that learning is the enemy of experiencing. As soon as
we think we are doing it right, we stop paying attention. We kill the
experience. Our understanding ossifies and becomes inert, until some
later event forces another brutal awakening.
Give up learning, and put an end to your troubles.
-- "Tao Te Ching," trans. Jane English
How then, to make progress along a path? One way is to look back and
see how far we've come, what we've gained, what scars, what trophies.
We look ahead at the tantalizing vistas, and see how far we have yet
to go. As we move, we are measuring our movement.
Alternatively, we could take each step, each breath, as a miraculous
encounter. Memory of the past is right here, vividly present and
alive. Perception of the future meets us exactly where we are.
Awareness brings time and space into a vast and coherent singularity.
We move with the flow of energy, not knowing where it's been or where
it's going. We find the stillness that comes from moving with the
movement.
"Shoshin ni kaeru" is often translated as "back to basics." "Shoshin"
is also interpreted to mean "beginner's mind," or "first mind."
It's interesting that we are asked to "return" rather than adhere to.
This means the process is not one of fixation, but rather a cycle of
going forward and coming back. In discovery, in finding the answers,
the mystery deepens, and so this starting place moves forward with
us. Every step is the first step, every answer is the next question.
"Shoshin" is the primal impulse, or original intent. This intent
comes from the realization that there is something to be known, but
not yet known.
"Not knowing" is why we set out on the path. "Not knowing" is what
keeps us seeking. What do we seek? Not something around the corner,
not something next year, or some ridiculous "20 year technique." Nor
do we seek the emptiness of the Zen master's teacup.
Rather, we seek an infinitely renewable fullness. We seek clarity of
each encounter, immediacy and connection with what is happening.
If you are not deeply, passionately in love, right this moment, you
are not paying attention. If you are not terrified of the awesomeness
of being, you are not paying attention. Every time you bow, you stand
on the edge of a fearsome abyss. Abandon any thought of ever
crossing, but step forward anyway. Every time you bow to a partner,
you are meeting your lover. Remember the embarrassment, remember the
foolish feelings of inadequacy, remember the giddy not-caring anyway?
Every moment of this love is a little death. We are consumed and all
our past is gone like the smoke of incense. And yet, here we are,
laughing because we're here. Remember?
Birds make great sky-circles
of their freedom.
How do they learn it?
They fall, and falling,
they are given wings.
-- Rumi, trans. Coleman Barks
Return to basics. Yes, by all means, keep coming back to your
introductory lessons, those fundamental exercises. But deeper still,
go back not to where you began, but why you began. Aikido is
not just a thing to keep us alive in an emergency. Being alive, how
can we not do aikido? Being alive, every moment is emergent, critical,
and pregnant.
"Not knowing" is not the same thing as ignorance. It is the
acceptance of things to be discovered. How will this encounter
unfold? I don't know. But I do know how to follow it so that I will
find out. Certainly not because of any technique I know (you can't
know technique and still be a beginner). I know only because I am
committed to staying with it and paying attention.
"Shoshin" is the opening of the mind. Shoshin is the opening heart.
Whatever comes, let it in. Wherever it goes, follow it through.
It is only in the beginning that we're truly young.
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