O-Sensei's Aikido by George S. Ledyard
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Very few people understand Aikido in the way that the Founder,
Morihei Ueshiba, understood the art. He was a Shinto mystic, a
follower of a modern Japanese cult called the Omotokyo. Only a very
small number of O-Sensei's students had anything like the spiritual
underpinning which created his world view. Inoue Sensei, the Founder's
nephew and co-religionist, is thought by many to have been the closest
in technique to the Founder, himself. He was a life long follower of
the Omotokyo faith. Sunadomari Sensei also followed the Omotokyo and
Hikitsuchi Sensei was a Shinto Priest and therefore had much of the
classical Shinto education which O-Sensei had.
The majority of the students training under the Founder found
him to be almost incomprehensible and, while deeply effected by the
man and his delivery, the message itself was not understood the way
the Founder himself viewed things. Some basically ignored O-Sensei's
spiritual teachings, preferring to devote themselves to mastering the
physical technique of the new art he had developed. Others like
Saotome Sensei, took the message very seriously but felt that the
esoteric Shinto world view of the Founder was too obscure for modern
people, Japanese or foreign. These teachers have attempted to
translate the teachings into modern idiom using terminology which
would be more accessible to contemporary students of the art.
What I would like to do is offer the beginning student of Aikido
a simple introduction to the spiritual underpinnings of the art. If it
turns out that this is helpful and of interest the student can proceed
to the works of Koichi Tohei Sensei, Mitsugi Saotome Sensei and
William Gleason Sensei all of whom have written extensively in
English.
In almost all Asian religions there is supposed to have been a
time when the Universe was in a unified and undifferentiated state. At
some instant in time, something, and this varies from culture to
culture, triggered the manifestation of the first principles, Yin and
Yang (In Yo in Japanese). As the universe proceeded to manifest
itself, the energetic components of the whole were created, each
produced from the opposites created in the first instant.
The Chinese provide a picture of this Universe in the I Ching,
the Book of Change. In it the various building blocks of the universe
can be symbolized by a system of yin and yang lines which first create
a set of trigrams. There are eight possible combinations of yin and
yang lines which yields the eight trigrams: heaven; earth; water
(moon); fire (the sun); thunder; wind; mountain and marsh. If one
combines two trigrams one gets a hexagram. There are sixty four
possible hexagrams, each representing some energetic or material
principle.
Everything in the Universe can be described using some
combination of these hexagrams. Multiple commentaries have been
written about each hexagram and combination of hexagrams. These
commentaries are incorporated into the I Ching itself. While the book
is known primarily in its use as a text for divination, the concepts
and principles contained in the I Ching form the foundation for all of
Chinese cosmology.
The concept of the Kototama, or the power of sound, can be found
all over the world. The most sophisticated and well developed version
of these concepts are in Tibetan Buddhism which was spread all through
China, Mongolia, and across the China sea to Japan. In Japan these
practices became known as Mikkyo or Esoteric Buddhism and they
influenced the development of Shinto as it evolved into the modern
world from its archaic shamanistic origins. The final result of this
development was the Kototama, a system which could describe all of the
various energetic elements of the universe in terms of sound or
vibration.
The Kototama has the same essential concepts as the I Ching but
it is more complex. The fundamental building blocks of the universe
are sounds which manifested from the original stillness of the
undifferentiated as vibrations (each sound having a different
energetic signature or wave length). Every vibration has a
corresponding color, physical characteristics, psychological /
emotional aspects etc. Even the various Shinto deities are associated
with certain energetic characteristics determined by the Kototama
sounds with whom they are associated.
If one reads William Gleason Sensei's book The Spiritual
Foundations of Aikido one can see just how complex this system is. But
it is not necessary to master the details of the Kototama system to be
able to comprehend the most important implications of Kototama theory
for our practice of Aikido. Even a consideration of the most basic
concepts offers a profound set of insights with regard to the practice
of the art, especially if one aspires to some level of understanding
on par with the Founder.
In the world of the I Ching or the Kototama, EVERYTHING is in a
state of flux, nothing is static. The universe is composed of a myriad
set of elements constantly combining and recombining. In any given
instant something is being created and something is passing out of
existence yet even here this is really an illusion since "passing
out of existence" is merely a recombining of elements into some new
form and "creation" is just the emergence of a new form from the
old. In this world the only constant is change and yet this is not
Chaos.
Even in a universe of constant movement and change there is an
overall balance. Things don't happen randomly but rather according to
a set of principles. In Shinto this is the Kannagara no Michi, the Way
of the Kami. For the Founder of Aikido, nothing was more important
than to discern the Will of the Gods, so to speak and to act in
accordance with that will. In order to be able to accomplish this, a
man must engage in a set of practices, purification exercises called
misogi. It is man's ignorance, his mistaken perception that he has
some sort of lasting and separate existence apart from everything else
in the universe that causes all of man's suffering. Misogi practice is
designed to purify the practitioner, removing those elements of ego
based thinking which lead to the incorrect perception of
separation. Through misogi practice one gradually removes those
elements which stand in the way of correct perception thereby allowing
one to discern the natural order of things, the Kannagara no Michi.
Misogi practice is normally a set of exercises, meditation,
chanting, sitting under water falls, etc but the Founder considered
the practice of Aikido itself to be a form of misogi. It was
O-Sensei's great realization that the principles that governed the
techniques he had learned in his study of the martial arts, and
primarily Daito Ryu Aikijujutsu, were the same principles which
governed the Universe as a whole. The principles of the Kototama were
the same principles which governed the martial arts. He created Aikido
to be a unique martial art whose primary purpose was to use a study of
martial principles and interactions to reveal the true nature of the
universe to the practitioner. Aikido practice is a form of misogi or
purification.
One of the most important things to happen in Aikido training,
when it is done correctly, is that the practitioner gradually loses
any investment in a particular outcome of a martial interaction. He
(or she) has trained long enough to have incorporated many different
techniques into his movement repertoire. Every one of those movements
or techniques embodies a set of energetic characteristics or
principles. By combining those movements in an infinite set of
possible combinations one can meet any kind of conflict in such a way
that that conflict is neutralized. In fact at a certain point ones
perception begins to become clearer and it becomes evident that the
idea of conflict itself is an illusion. The nature of the universe is
such that the only place at which conflict truly exists is in the mind
of the unenlightened person who insists on trying to act according to
his own selfish and ignorant perceptions. Since there is no
fundamental separation between the Mind, the Body and the Spirit, the
study of a physical art like Aikido will necessarily accomplish a set
of changes over time as the Body discovers the correct movements which
govern the techniques of the art. Ones perceptions begin to change,
ones fundamental reactions to stress and conflict get reprogrammed
from contraction and tension to expansion and flexibility. At first
this happens in ones physical technique but after many years of
practice the person as a whole begins to see that this is a way of
interacting with the world which works. The "whole person"
begins to embody these principles of non-resistance. At least that is
what O-Sensei envisioned as the purpose of training in the art.
Take Musu Aiki is one of the fundamental concepts of Aikido yet
very few students can actually tell you what it means. "Take" is an
alternative pronunciation of "Bu" as in Budo, the way of the
Warrior. It refers to things martial including technique. "Musu" is
the musu of musubi. One of the main meanings of musubi is connection
but musu by itself has a creative / procreative meaning and can be
read as "gives birth to". "Aiki" is usually translated as Harmony but
in this context it really refers to the state of essential balance
that exists within the eternal movement and change of the universe.
So Take Musu Aiki means that the techniques of the martial arts
arise spontaneously out of (or are given birth by) the state of
aiki. Since the world of the Kototama associates these various
energetic elements with specific divine beings or Kami, O-Sensei's way
of describing this process was that the Kami "revealed" techniques to
him. He stated that he had not created the techniques of Aikido but
rather he referred to them as "Divine Techniques" given to him by the
Gods.
This is a pretty radical notion for most practitioners of the
art. Shinto as a religion doesn't travel well. It's fairly obscure
even for most modern Japanese and pretty much incomprehensible
to foreigners. This fact causes most Aikido practitioners to ignore
the spiritual side of the art in favor of focus on the physical
application of the technique. This is exactly the opposite of what
O-Sensei said he intended for the art.
Without getting into the details of Shinto or Omotokyo world
view one can experience the sense of mystery which governs Aikido by
contemplating an Aikido Koan (like the Zen questions used by Roshis to
assist their students towards Enlightenment):
If defender (the nage) in Aikido is blending with the
energy of the attacker (the uke), and the attacker (the uke) is
blending with the energy of the defender (nage), then who is it that
controls the technique?
According to the Founder, there is no attacker and defender. The
notion that we are separate individuals with independent existence is
foreign to Asian religion in general. In the I Ching or in the
Kototama theory the various elements of the manifest world are
inextricably connected. To the extent that they exist, their existence
is co-dependent. It is impossible to consider any element of the whole
as having separate existence apart from the whole. One simply cannot
have positive without negative, yin without yang, etc. The instant you
have one, you have the other.
In the Founder's world conflict is caused by acting as if the
elements of the whole, in this case our selves, have separate
existence. O-Sensei over and over pointed out that this was a mistaken
point of view. We are all part of the One so to speak. To attack
someone else is to attack oneself. Suffering in this world occurs
because people attempt to act as if they are separate when they are
not. The Kannagara no Michi or Path of the Kami was O-Sensei's way of
describing the natural flow of the elements within the whole as they
move and change according to the principles which govern the whole.
Aikido practice was meant to be a way of experiencing this
fundamental connection between the pieces of the Great Whole. It
wasn't intended as a "fighting system", in fact the practice of
the art was meant to eliminate fighting since violence occurs only as
a misunderstanding of the true nature of the world and Aikido practice
was meant of be a path of realization which illuminated rather than
obscured this truth.
So in O-Sensei's Aikido the statement "masakatsu agatsu" is
meant to reinforce this truth. "True victory is Self Victory" is
another one of the core Aikido concepts. The concept of winning or
losing relative to some other misses the essential truth of our
connectedness. What prevents us from understanding the nature of this
connectedness is our own stubborn insistence on hanging onto a false
notion of our own individual existence, separate from everything else
around us. True victory is to use ones Aikido to bring oneself into
accord with the natural flow of the universe. By achieving victory
over false notions of the self one achieves "true victory".
So what is going on when we practice Aikido with all its
attacks and defensive techniques, changing of roles as attacker and
defender, etc? The idea that "what is in here, is out there" is
fundamental in Asian religions. In other words the microcosm reflects
the macrocosm. The interaction between the two partners functions
according to the same principles which govern the entire
Universe. Aikido movements, according to the Founder, are the
fundamental movements of the Universe as a whole. When we set up
different interactions between the partners, one initiating as uke and
the other joining with the energy of that initial movement we are
making a study of the different energetic principles which govern all
existence. We artificially set up different types of interactions
(various strikes, different grabs, highly energetic moving attacks,
more physical static type attacks, single attackers, multiple
attackers, etc.) and practice how the fundamental movements of Aikido
technique allow us to maintain an essential balance no matter what
kinds of change takes place and how rapidly that change occurs. The
balance that exists between the partners in Aikido practice is the
same balance that exists in the impossibly vast universe with its
virtually countless elements making up the whole. But for most people
the concepts as they exist in their Universal form are simply too huge
to wrap our minds around. So in our practice we focus on the microcosm
of our interaction with the partner and our own internal interactions
as we train.
It is certainly possible to do "Aikido" without worrying
about these considerations. It can be a sport; it can be a fighting
system. It can be a system of movement done for health reasons. But it
is my own belief that Aikido may be all of those things, and different
teachers have emphasized each of these aspects in the many styles of
Aikido which have been created but if these concepts are largely
absent from an Aikido practice, then that is not O-Sensei's
Aikido. O-Sensei's spiritual experiences were not widely shared by his
own students. Many focused only on his seemingly invincible martial
skill and didn't care to understand the nature of its underlying
spirituality. Some have taken the approach that, yes, Aikido is meant
to be a means of personal development, but the Founder's Shinto
mysticism was too archaic for wide understanding in the modern
world. So what is being passed down is a simpler, secularized version
which is primarily a physical practice with an attached ethical system
but lacking in the elements of true insight which supplied the Founder
with his realizations.
It is my own belief that the Founder was another in a long
line of teachers who managed to attain a unique level of insight into
the nature of the Universe and what it means to be an alive being
within it. His insights were based on thousands of years of human
spiritual development and contained no fundamental new Truth that
hadn't been noted before in the teachings of those that went
before. Yet he managed to take a new view of these insights and create
a unique practice which did not exist before him. This was his great
achievement. To me, the only Aikido which is worth the sacrifices
entailed in devoting ones life to the training is O-Sensei's vision of
the art as a spiritual practice. It was this vision which spoke to me
from the first time I saw Aikido and heard my teacher talk about the
Founder. It is this Aikido which calls to me; maybe it is the one that
calls to you.
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