Live Movement and Dead Movement, by Chuck Clark
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Some years ago I read something written by Trevor Leggett. Recently
passed away, Leggett was the highest ranked non-Japanese judoka by the
Kodokan. He was a linguist, scholar, writer, and expert on Asian
spirituality and budo.
The piece I remember was about "Live Movement and Dead Movement". I've
been thinking about this subject a lot lately and want to pass on some
ideas in this brief space.
I think INTENT lies at the heart of the matter. We can learn
principle, kata, techniques, etc. but unless we are also practicing
the proper intent that these various things come from we miss the mark
by a wide margin. Many people cannot feel the difference, but I think
most of us see the difference. We may not know what the problem is -
but we know something is lacking.
Our kata movements may be "correct" in form, but the movement often is
"dead" and useless for anything other than exercise. For example,
making a fundamental striking movement that resembles the real thing
is not enough. We must have the intent to affect our partner with that
movement. Understand and visualize the target, make contact softly but
strongly, and drop weight through the target. The movement will then
"come alive" and be useful. If we make an attack that only has the
intent to give tori something to "work with" or wanting to take part
in a really nice technique for all to watch, the result is often flat
and lifeless. I can think of no appropriate use for "dead" movement in
budo practice. Even when going slow with low levels of force and
speed, our kata must be alive! The katachi or spirit of the kata must
come from our intent and efficient, live movement actualizing that
intent.
Some people think the difference is muscular force and speed added to
the correct movement. That is not correct. In our practice, if we keep
these things in mind: Target, Distance, and Timing -- and the intent
to cut or move through the target, we will develop "live" movement.
Surely we all have some intent all of the time. Probably true (well,
there are some of us that don't seem to have an abundance of any
intent at times....) but it is important to have the intent that
matches the action you want. Simple actions, like picking up a cup of
coffee, are not hard to match with intent. However, there are lots of
things we do that are not that simple for us such as attacking with
strong, controlled force. Motivation, old memories, and habitual
behavior patterns can be tied into fear and it's various forms such as
insecurity that shows up when we try to learn something new. Some of
us have deeply rooted feelings of inferiority or even very subtle
self-destructive tendencies that affect our learning and
practice. Most of us don't like it when others see us when we aren't
at our best. For example, this fear will cause us to be tense and
uncommitted in our physical movements. Until we feel confident and at
ease with our performance we often won't really commit a hundred
percent. Until we can match our intent with total committment in our
practice we find it hard to relax and achieve live movement.
We may think we have the intent to do a kote gaeshi, but we often have
other things in our intent that cause us not to be able to really
actualize our true understanding of the kote gaeshi. We may be
thinking: "I hope this works," or "I can't ever get this right," or "I
wish practice was over," or even something unrelated to
practice. Instead, we should be focused and thinking about posture,
movement, target, distance, and timing. Just this. Right now. After
some time, we aren't even thinking consciously about these sorts of
things. We're adding all of that stuff together and now we're thinking
about taking balance at first touch and feeling/listening to what
uke's reaction to our kuzushi is, so that we can make the next
creative adjustment in the dynamic cycle of technique.
This practice is a process that has no end, a journey that is really
made up of the scenery along the way rather than the destination. Many
of us have such a strong picture of the finish of the technique that
we cannot and do not pay attention to the beginning or other parts
that make up the whole. Our movement is dead because things are not
working properly and our system feels that and becomes tense and
analytical to try and figure out what to do about it.
In short, do one thing at a time until you can do some of them
together as if they were one thing. Then add one more thing, etc.,
etc. Confidence will build and relaxation will happen. If our
attention to detail has been developed with good principle, things
will fall into place and we'll be practicing with live movement.
At some point as we become more competent, we can even keep the live
movement when we're learning something new. We can keep the live
movement full of intent when training slowly or when some
unanticipated attack in the street has surprised us.
We can see the difference in everything we do. Whether it is Shodo,
Chado, Budo, or the way we do the dishes or sweep the floor, the
difference between live and dead movement is obvious.
I encourage everyone to discover the wide range of interesting subject
matter that Trevor Legget wrote about over the years. His life story
is as interesting as his books in many respects.
(Thanks to Aaron Clark, Keith Slatoff, Carl Bilodeau, and Charlie Atkinson)
© 2003 by C. Clark, All Rights Reserved
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