Quote:
Mary Eastland wrote:
Shiho nage was a difficult technique for me. Ron always did it a little different from Maruyama, Sensei. I would be almost getting it then we would go to summer or winter camp and I would get confused again. I could do the motions of it and it probably didn't look to bad yet it didn't feel strong. My hands always felt so weak. I remember complaining about my wrists. men's wrists were so much bigger and stronger.
I used to say I hate shiho nage or I can't do it. Of course that became self fulfilling.
I decided to change my mind about it. I couldn't say I loved shihonage yet but I said that "I am embracing shiho nage". "I am exploring shiho nage."
Sure enough, it got better. Especially after we stopped going to camps because now I was doing one way with minor changes instead of a whole change of technique.
The "Summer of Shiho nage" changed everything. Stepping into my fears and frustrations was the key. I broke it down to three steps: L step, hands on a horizontal plain, then bend ukes elbow. I taught and practiced shiho nage every class this summer. My understanding of the mechanics and how to use Ki instead of hand strength grew with day of practice.
I can't believe I can tell you I love shiho nage now. I can't wait for class today so we can revisit it and see how it feels on this day with each new uke.
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It's amazing how that embracing attitude opens doors, isn't it? I have to constantly remind myself of that when I dislike something. I've always liked shihonage for some reason...not that I do it at all well. I really enjoy the huge stretch I get as uke.
Shihonage