Quote:
Larry Camejo wrote:
Yeah kaeshiwaza is a good example of what I was talking about. When we do empty handed freeplay where 2 individuals (there is not really an Uke and Tori in this case) are equally attempting techniques, it aids in not utilising too much muscular force to resist a technique but instead move with it, constantly adapting and using the changes in motion to assist your own technique.
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And when it works, boy, you punish uke!
Well, you have the fundamentals of Kendo there too. And, I suppose, of all combat. Instant adaptation of planned execution.
Rock