Quote:
Gary Welborn wrote:
Mark
The shihonage that I worked myself into has me drop center as I enter under the use's arm, as I turn to the outside I stay down, keeping the held wrist/hand circling out and around, with the arm brushing the top of my head as I pivot through. I keep the arm out and extended to keep uke on the edges of their feet and destabilized.... If I dropped further anytime during this motion or just pulled down it would likely result in damage. I take use's wrist/hand right back into their shoulder.....once that is reached I do what some might call a scissors cut.....stand up and bring my hands to my waist as if cutting with a boken. My center rises up as my hands/arms come down to meet. If uke has been destabilized this motion drops them right at my feet with no injuries and without giving them back their center.
Gary
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Hi Gary,
from nage's side, I recognise your description as very similar to the way I approach things.
Where things may differ is in uke's part. As I described in the 'following' thread, as uke, I would follow all of nage's movement and their attempt to stretch and turn me. I do see, via video, that many uke's stand pretty stationary and 'let' the technique be applied to them. Either way, shihonage is a technique that is effective if applied correctly, as well as easy to get quite spactacularly wrong.
regards,
Mark