George Ledyard wrote:
1) what typically separates the disarms in Aikido from the disarms in the Asian blade systems is the amount of impact, or what we would call atemi, that precedes the actual disarming technique. In Kali / Silat typically there has been an eye flick, followed by one or more strikes (elbows, knees, etc.), the, if it presents itself, the strip.
Dan Inosanto once told one of my friends that he didn't like to teach the stripping techniques to students too early because once you taught them, the students started to try to get them. His point was the the disarms and stripping techniques should be an integral part of the striking pattern, not a separate technique. The moment you start going for the disarm rather than striking the center, you are open.
I trained for a couple years off and on with Chris Petrilli, Canete's senior American student in Doces Pares escrima. Their system is a blend of Escrima and Aikido. If you want to see Aikido done in full combat mode, these guys have a great take on it. By the time you see a disarm or a throw, the attacker is more than half dismantled by the impact techniques utilized.
In my own Defensive Tactics system, our basic program called for an entry and two to three solid impact techniques before you even thought about going for the disarm. This is my great objection to much of the weapons disarming training, not limited to Aikido. There simply isn't enough impact technique involved.
Frankly, this too is a little unrealistic.
The whole area of "knife disarming" is so infected with dogmatic beliefs that I doubt anyone has a clear view of it.
If someone is armed with a knife, and you attempt to strike them to "soften them up," you will likely not be pleased with the results if they are content to cut whatever you throw out there.
One punch knockouts aside, if you attack someone who is armed with an edged weapon with empty-hand strikes, I would say that you do not understand the nature of the advantage a blade gives a man.
Atemi has a role, but the over
-emphasis on atemi in these situations does not reflect the wisest of strategies.
Ultimately, we must learn all the techniques and tactics that we can, then let our intuition and judgment guide us in any given situation… That's where the "art" comes in.