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Old 07-17-2010, 05:36 PM   #99
Carl Thompson
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Location: Kasama
Join Date: Nov 2006
Posts: 488
Re: Transmission, Inheritance, Emulation 18

Peter A Goldsbury wrote: View Post
Hello Carl,

Yes, of course, there are still direct students of the Founder training in Iwama, as there are at the Tokyo Hombu (separate from the senior shihans like Hiroshi Tada).

I have stated before that the iemoto transmission in aikido was skewed by the fact of two major centres of aikido, not one, and these major centres can be summed up by two names: Kisshomaru Ueshiba and Morihiro Saito. Both have gone on record as being the direct 'transmitters' of the Founder's aikiido.

However, since the death of Saito Morihiro Shihan, major changes have occurred in Iwama. The name has disappeared and 'Ibaragi Shibu' somehow does not convey the past magic of 'Iwama'. The other major direct student of O Sensei, Hiroshi Isoyama, has been very careful to maintain an extremely low profile indeed and he is not noted for ever teaching the aiki-ken and aiki-jo for which Iwama is famous, even though he may have learned this.

So it can be stated that the aberration in the iemoto transmission has been corrected and the dojo in Kasama is now clearly seen to be under the direct control of the Ueshiba family and the Aikikai. Of course, it always was under such control, but Kisshomaru Ueshiba never made any attempt to step on Saito Sensei's toes, to to speak.

Best wishes,

Thanks for the clarification professor. I have been reading your columns with interest.

In the wake of the passing of a giant like Saito Shihan, I think it is easy to overlook some things. Isoyama Shihan has gone on record regarding weapons and the kyu-Iwama shihans have all included weapons in their embu at the All Japan Aikido Demonstration. These days it seems that the emphasis is on solidarity, with the art at the forefront rather than any particular teacher of it. But at the same time, the recent addition of a big statue of Osensei at the Aiki-Shrine, largely due to the efforts of Isoyama Shihan, could hardly be described as keeping a low profile. Solidarity was the key to that project with Tada Shihan also playing an important role. I would say that Isoyama Shihan simply has his own style and having met him, I'm sure you realised he is hardly a shrinking violet.

Perhaps a trip to Old-Iwama would be of benefit to your research?
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