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Old 06-25-2010, 07:30 AM   #47
Peter Goldsbury
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Re: Transmission, Inheritance, Emulation 18

Quote:
Oisin Bourke wrote: View Post
The part of the thesis relevant to this discussion is "The Silence Principle" which is something that is known to both speaker and listener is never explicitly mentioned. However, when a society dies, although its stories may survive, vital information has been omitted. Therefore, future researchers must re-interpret these stories, often with erroneous results.

Someone with a good knowledge of Ueshiba's speeches might find it a fruitful read.
Hello Oisin,

Have you ever discussed these issues with Iida Sensei?

The only direct connection to the Silence Principle of which I am aware is how Mutsuru Nakazono deals with the myths supposedly recorded in the Takeuchi Documents. I am thinking of Nakazono Sensei's revelations about the Kotodama Principle, discussed in my TIE columns on kotodama. (Actually, of all the TIE columns that have to be revised in preparation for a future book, the kotodama columns are the ones most in need of revision and expansion. There is so much more that needs to be said and this also includes putting O Sensei's discourses in a better context.)

According to Nakazono, the pristine civilization captured in the phrase 'Sumera Mikoto' somehow entered into a conspiracy of silence, in order to hide all traces of their civilization and to allow only 'chosen' individuals, like Nakazono (and for reasons even more unknown) to catch a glimpse--by way of utterly arcane interpretations of a set of scrolls generally thought by some academic to be forgeries.

There is an added twist. Neal Stephenson in his novel Snow Crash refers to Sumera Mikoto and suggests that this refers to the ancient Sumerian culture, in which,he believes, a sort of proto-language was spoken, rather like the ancient, pure, Japanese spoken by the original Yamato race, whose existence was argued for by kokugaku scholars like Kamo no Mabuchi.

There is a very interesting treatment of the Takeuchi documents by Kosaka Wado. He has not, unfortunately, been translated into English.

Best,

PAG

P A Goldsbury
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