And what is my sort? you will ask. I am one of those who are very willing to be refuted if I say anything which is not true, and very willing to refute any one else who says what is not true, and quite as ready to be refuted as to refute-I for I hold that this is the greater gain of the two, just as the gain is greater of being cured of a very great evil than of curing another. For I imagine that there is no evil which a man can endure so great as an erroneous opinion about the matters of which we are speaking ...
... But I consider that nothing worth speaking of will have been effected by me unless I make you the one witness of my words; nor by you, unless you make me the one witness of yours; no matter about the rest of the world. For there are two ways of refutation, one which is yours and that of the world in general; but mine is of another sort-let us compare them, and see in what they differ.
... Now there is no nobler enquiry, ..., than that which you censure me for making, ... For be assured that if I err in my own conduct I do not err intentionally, but from ignorance. Do not then desist from advising me, now that you have begun, until I have learned clearly what this is which I am to practice, and how I may acquire it. And if you find me assenting to your words, and hereafter not doing that to which I assented, call me "dolt," and deem me unworthy of receiving further instruction.
.... Then I will proceed, and ask whether you also agree with me, and whether you think that I spoke the truth when I further said ... that cookery in my opinion is only an experience, and not an art at all; and that whereas medicine is an art, and attends to the nature and constitution of the patient, and has principles of action and reason in each case, cookery in attending upon pleasure never regards either the nature or reason of that pleasure to which she devotes herself, but goes straight to her end, nor ever considers or calculates anything, but works by experience and routine, and just preserves the recollection of what she has usually done when producing pleasure.
,,, Will not the good man, who says whatever he says with a view to the best, speak with a reference to some standard and not at random; just as all other artists, whether the painter, the builder, the shipwright, or any other look all of them to their own work, and do not select and apply at random what they apply, but strive to give a definite form to it? The artist disposes all things in order, and compels the one part to harmonize and accord with the other part, until he has constructed a regular and systematic whole; and this is true of all artists, and in the same way the trainers and physicians, of whom we spoke before, give order and regularity to the body: do you deny this? .