Re: Dobson and Arikawa Sensei
Ellis, that's a great point you make there about "gears of an inexorable machine", that's what I get when someone like Akuzawa does a technique slowly (happily! saves me some nervous sweating in advance) -- the feeling is simply like you described. In the vocabulary of Mike Sigman's explanations, that probably is related to the use of the ground in all movements. Speed is clearly not an issue in demonstrations or classes, so that this can be felt more easily. It is much harder, IMHO, to feel this with the so-called "aiki throws" that do not use much contact or in which the contact is so short (breaking of balance very rapid) that it is not clear how it occurred, even though the mechanism is the same.
On a random note, not taking people seriously as they age seems to be a common source of injuries :-) I've no doubt that someone like Abe sensei used to be a lot stronger than he is now, but that doesn't change the fact that the basic power hasn't degraded as much as the individual muscles that make up the body mass. So for people who associate technique with muscle mass, speed, timing, and such like, are often unpleasantly surprised by effect of such a teacher's movement, especially since it looks somewhat "weak" when viewed from the chorus-line. This failure to appreciate what is really going on means the uke's body is not protected and ready to take the technique, and I have seen a few of the strongly-built high-school and university students get thrown rather more violently through their own inattendance.
Last edited by Gernot Hassenpflug : 02-08-2007 at 09:55 PM.