Hello and thank you for visiting AikiWeb, the
world's most active online Aikido community! This site is home to
over 22,000 aikido practitioners from around the world and covers a
wide range of aikido topics including techniques, philosophy, history,
humor, beginner issues, the marketplace, and more.
If you wish to join in the discussions or use the other advanced
features available, you will need to register first. Registration is
absolutely free and takes only a few minutes to complete so sign up today!
This is an image that came to me in my work during the Evolutionary Aikido seminar this weekend with Patrick Cassidy Sensei and Dave Goldberg Sensei. If I could draw or paint, and had the time, this post would be a hand-drawn, sketchy animation. Maybe just a sequence of still drawings, one dissolving into the next. Since that would take me months, and the results would be poor at best, I'll give you the storyboard in words instead.
Scene: We are inside a big, closed room. We see a person in the room. There are some things in the room - a table, a chair, a bookcase, a phone, a television, dishes, a bed... Simple things for living.
Action: Our person is sitting, studying, working, exercising, eating. Living life, in their room.
Scene: The things, or the person's orientation in the room, make it impossible for them to see that there are doors, but we can see the doors. Or maybe there a faint outlines - maybe a lot of them - but our person doesn't notice them. Doors to other rooms? Doors to outside? Doors to who-knows-where... Unseen, unnoticed, unopened doors.
Action: Our person continues living in the room. We see signs of aging.
Every so often someone outside the room opens a door a little, letting in a stream of of brilliant, warm light. We can see color and space through the open door. We hear something, maybe birds or voices.
Maybe our person notices, maybe they don't. Maybe they make a huge effort at sliding the bookcase to cover the open door, and go back