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	<title><![CDATA[Kyoto Kenshusei]]></title>
	<link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/?s=6b2b8a27e1d34f3c5f4a539e5daa2e03]]></link>
	<description><![CDATA[&#20140;&#37117; &#30740;&#20462;&#29983; 
[B][I]KYOTO KENSHUSEI[/I][/B]

[B]...blogging the 2013-14 class of the Yoshinkan kenshusei course in Kyoto, Japan...[/B]]]></description>
	<language>en</language>
	<pubDate>Sun, 19 May 2013 21:44:15 GMT</pubDate>

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   <title><![CDATA[hajime geiko]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/hajime-geiko-4844/]]></link>
   <description><![CDATA[I'm starting to like hajime geiko.  Okay, I can't say that is my final word on the subject, but I did state previously that I thought it was bad training and prone to re-inforcing errors and causing injuries.  That may or may not be true, but I have a more positive view of it now.

To review:

_*Hajime geiko*_

1. All members of the class pair into shite-uke partnerships and stand in kamae.
2. Sensei calls out a pre-determined technique.
3. Sensei calls out "hajime" and the technique is performed as fast as possible by the entire class.
4. When the first shite-uke pair returns to the starting kamae position, sensei calls out "hajime" again and the class performs the technique again.
5. If you are the first shite-uke pair to finish, you get a half-second rest; otherwise, you starting falling behind and have to perform the technique continuously more and more urgently without rest.
6. This goes on until sensei calls "yame."  Then shite-uke switch to uke-shite and start again.  Then shite-uke switch again and switch to performing out of opposite leg kamae, then switch one last time.


* Obviously, hajime geiko is extremely tiring as you are getting thrown around and getting down and up off the floor continuously.
* The point of hajime geiko is supposedly to tire out the body so that the technique doesn't work with strength and only if shite employs correct posture and controls uke's center.


_*how hajime geiko is used in Kyoto Kenshusei program*_

Daily training involves a conditioning/ukemi class followed by two technique classes.  Generally, the technique classes follow the following format:
class 1 - preparatory movements and exercises, demonstration and practice of full technique, sensei's comments on mistakes, focused mistake-related practice
class 2 - more focused exercises, then practice of full technique, then *hajime geiko*

We performed shomen uchi yonkajo (yonkyo) osae ni for 23 minutes continuously the other day.  Just when I thought my technique was completely fallen apart, I started performing the technique much better.  After we were done, Crampton-sensei informed us we are working up to performing hajime geiko continuously for one hour.  Wow!

I'm still not convinced about it, but I am much more open to it than previously.  And although yonkajo hurt like the dickens when performed over and over again by a tired partner, I wasn't scared of it the way I was with shihonage.]]></description>
   <pubDate>Fri, 10 May 2013 11:30:51 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>I'm starting to like hajime geiko.  Okay, I can't say that is my final word on the subject, but I did state previously that I thought it was bad training and prone to re-inforcing errors and causing injuries.  That may or may not be true, but I have a more positive view of it now.<br />
<br />
To review:<br />
<br />
<u><b>Hajime geiko</b></u><br />
<ol style="list-style-type: decimal"><li>All members of the class pair into shite-uke partnerships and stand in kamae.</li><li>Sensei calls out a pre-determined technique.</li><li>Sensei calls out &quot;hajime&quot; and the technique is performed as fast as possible by the entire class.</li><li>When the first shite-uke pair returns to the starting kamae position, sensei calls out &quot;hajime&quot; again and the class performs the technique again.</li><li>If you are the first shite-uke pair to finish, you get a half-second rest; otherwise, you starting falling behind and have to perform the technique continuously more and more urgently without rest.</li><li>This goes on until sensei calls &quot;yame.&quot;  Then shite-uke switch to uke-shite and start again.  Then shite-uke switch again and switch to performing out of opposite leg kamae, then switch one last time.</li></ol><ul><li>Obviously, hajime geiko is extremely tiring as you are getting thrown around and getting down and up off the floor continuously.</li><li>The point of hajime geiko is supposedly to tire out the body so that the technique doesn't work with strength and only if shite employs correct posture and controls uke's center.</li></ul><br />
<u><b>how hajime geiko is used in Kyoto Kenshusei program</b></u><br />
<br />
Daily training involves a conditioning/ukemi class followed by two technique classes.  Generally, the technique classes follow the following format:<br />
class 1 - preparatory movements and exercises, demonstration and practice of full technique, sensei's comments on mistakes, focused mistake-related practice<br />
class 2 - more focused exercises, then practice of full technique, then <b>hajime geiko</b><br />
<br />
We performed <i>shomen uchi yonkajo (yonkyo) osae ni</i> for 23 minutes continuously the other day.  Just when I thought my technique was completely fallen apart, I started performing the technique much better.  After we were done, Crampton-sensei informed us we are working up to performing hajime geiko continuously for one hour.  Wow!<br />
<br />
I'm still not convinced about it, but I am much more open to it than previously.  And although yonkajo hurt like the dickens when performed over and over again by a tired partner, I wasn't scared of it the way I was with shihonage.</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/hajime-geiko-4844/]]></guid>
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   <title><![CDATA[my current understanding of Yoshinkan aikido]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/my-current-understanding-of-yoshinkan-aikido-4837/]]></link>
   <description><![CDATA[When my father e-mailed me about the Yoshinkan videos online, I e-mailed back some answers to his questions.  It ended being an explanation of how I see aikido and Yoshinkan at this point in the kenshusei course.  It might be interesting to compare at the end of the course and see if my attitudes change...



---Quote---
Those are great videos.  The dojo has them on DVD for us to borrow and watch at home, but the DVDs are all in Japanese.  I didn't know it was available in English on YouTube, so that's great!!

Yes, aikido is like ballet, gymnastics and combat.  I think in real fighting, only some of the techniques would be useful, but aikido isn't really about learning how to fight.  The founder of aikido, named Ueshiba (the guy with the long white beard) studied lots of styles of jujutsu, which is fighting, and combined different elements to invent aikido.  I guess I would say aikido is about learning how to control your own body and also to feel and be able to control your opponent.  We call it "making a connection."  Once you can feel your opponents balance and tension, you can move them around or throw them effortlessly.  But making a connection is not easy and takes lots of practice.  

The techniques in aikido (called "waza") were originally fighting techniques that would end in a broken bone or dislocated joint or intense pain, but the way they are organized and taught in the Yoshinkan curriculum, they are for teaching you how to move your body and feel your opponent.  At the beginning level of aikido, most people can't make the waza work if the opponent resists.  So the opponent cooperates to make the waza work.  Over time and many repetitions of the waza, your body learns how to feel the opponent and you gradually begin performing the waza on the opponent rather than going through the motions with the opponent's cooperation.

Yes, I remember struggling to do a forward roll in Cub Scouts.  Probably they weren't being taught very well.  Paradoxically, a forward roll from a kneeling position is much harder to perform than one from a standing position.  Like everything else, the key to a good roll (or "break fall" as they are called in martial arts) is in the core.  (Imagine trying to roll an octagon that is loose at all the angles along the ground as opposed to a circle.  Having a weak core is like having loose angles in your body.)  I think when I was young I had a very, very weak core.

When I was at Swarthmore, someone told me once that the reason I couldn't generate more power in swimming was that I had a weak lower back.  There was probably something to that.  I think in high school I learned to compensate for a weak core by utilizing more shoulder strength.  But in aikido, this is actually working against me.  I constantly have to be aware to relax my shoulders and arms and maintain good posture.

I think Mike Stone was a good coach considering his level of education and the state of amateur swimming training at the time.  However, if I had myself as a freshman-aged new swimmer today, I would spend a lot of time in and out of the pool strengthening the core and teaching myself to move the body as a unit with hips and shoulders locked through the core.  Mike always concentrated on the shoulders and arms when he was teaching crawl stroke.  At Swarthmore, Bill Boomer tried to teach us to swim from the hips.  I think today, initiating crawl stroke from the core movement rather than an arm movement is the standard way of teaching, and Bill Boomer is a famous coach.

I remember the men's team used to call Boomer "Mr. Squidhands" because he was missing some fingers.  There were a lot of negative dynamics on the swim team while I was there, but I think it was reaction to being in an environment where you constantly being told you were bad because of being a white male.  Boomer was trying to change the way people were swimming, and there was a lot of resentment, which I think was projection from the political atmosphere of the campus.  Or it's possible that the people who were good at swimming from the shoulders weren't so good swimming from the hips and didn't like it.

The knee walking, or shikko ho ("sheeko hoe"), is very, very difficult.  I really can't do it at all yet.  In that video, they can float across the floor because they are very well balanced.  I am still performing the "Imperial AT-AT" version of shikko ho.  My knees just sort of drop onto the ground like they are trying to crush Luke Skywalker's snowspeeder, and my upper body lolls forward like somebody wrapped my legs in cable.  It doesn't help that I can't sit with my butt on my heels yet or that I have stiff hips.  Being able to do shikko ho properly would be an accomplishment in itself.
---End Quote---
]]></description>
   <pubDate>Sun, 28 Apr 2013 11:45:09 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>When my father e-mailed me about the Yoshinkan videos online, I e-mailed back some answers to his questions.  It ended being an explanation of how I see aikido and Yoshinkan at this point in the kenshusei course.  It might be interesting to compare at the end of the course and see if my attitudes change...<br />
<br />
<br />
<div style="margin:20px; margin-top:5px; ">
	<div class="smallfont" style="margin-bottom:2px">Quote:</div>
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				<div style="font-style:italic">Those are great videos.  The dojo has them on DVD for us to borrow and watch at home, but the DVDs are all in Japanese.  I didn't know it was available in English on YouTube, so that's great!!<br />
<br />
Yes, aikido <i>is</i> like ballet, gymnastics and combat.  I think in real fighting, only some of the techniques would be useful, but aikido isn't really about learning how to fight.  The founder of aikido, named Ueshiba (the guy with the long white beard) studied lots of styles of jujutsu, which is fighting, and combined different elements to invent aikido.  I guess I would say aikido is about learning how to control your own body and also to feel and be able to control your opponent.  We call it &quot;making a connection.&quot;  Once you can feel your opponents balance and tension, you can move them around or throw them effortlessly.  But making a connection is not easy and takes lots of practice.  <br />
<br />
The techniques in aikido (called &quot;waza&quot;) were originally fighting techniques that would end in a broken bone or dislocated joint or intense pain, but the way they are organized and taught in the Yoshinkan curriculum, they are for teaching you how to move your body and feel your opponent.  At the beginning level of aikido, most people can't make the waza work if the opponent resists.  So the opponent cooperates to make the waza work.  Over time and many repetitions of the waza, your body learns how to feel the opponent and you gradually begin performing the waza on the opponent rather than going through the motions with the opponent's cooperation.<br />
<br />
Yes, I remember struggling to do a forward roll in Cub Scouts.  Probably they weren't being taught very well.  Paradoxically, a forward roll from a kneeling position is much harder to perform than one from a standing position.  Like everything else, the key to a good roll (or &quot;break fall&quot; as they are called in martial arts) is in the core.  (Imagine trying to roll an octagon that is loose at all the angles along the ground as opposed to a circle.  Having a weak core is like having loose angles in your body.)  I think when I was young I had a very, very weak core.<br />
<br />
When I was at Swarthmore, someone told me once that the reason I couldn't generate more power in swimming was that I had a weak lower back.  There was probably something to that.  I think in high school I learned to compensate for a weak core by utilizing more shoulder strength.  But in aikido, this is actually working against me.  I constantly have to be aware to relax my shoulders and arms and maintain good posture.<br />
<br />
I think Mike Stone was a good coach considering his level of education and the state of amateur swimming training at the time.  However, if I had myself as a freshman-aged new swimmer today, I would spend a lot of time in and out of the pool strengthening the core and teaching myself to move the body as a unit with hips and shoulders locked through the core.  Mike always concentrated on the shoulders and arms when he was teaching crawl stroke.  At Swarthmore, Bill Boomer tried to teach us to swim from the hips.  I think today, initiating crawl stroke from the core movement rather than an arm movement is the standard way of teaching, and Bill Boomer is a famous coach.<br />
<br />
I remember the men's team used to call Boomer &quot;Mr. Squidhands&quot; because he was missing some fingers.  There were a lot of negative dynamics on the swim team while I was there, but I think it was reaction to being in an environment where you constantly being told you were bad because of being a white male.  Boomer was trying to change the way people were swimming, and there was a lot of resentment, which I think was projection from the political atmosphere of the campus.  Or it's possible that the people who were good at swimming from the shoulders weren't so good swimming from the hips and didn't like it.<br />
<br />
The knee walking, or shikko ho (&quot;sheeko hoe&quot;), is very, very difficult.  I really can't do it at all yet.  In that video, they can float across the floor because they are very well balanced.  I am still performing the &quot;Imperial AT-AT&quot; version of shikko ho.  My knees just sort of drop onto the ground like they are trying to crush Luke Skywalker's snowspeeder, and my upper body lolls forward like somebody wrapped my legs in cable.  It doesn't help that I can't sit with my butt on my heels yet or that I have stiff hips.  Being able to do shikko ho properly would be an accomplishment in itself.</div>
			
		</td>
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	</table>
</div>

</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/my-current-understanding-of-yoshinkan-aikido-4837/]]></guid>
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   <title><![CDATA[Yoshinkan DVDs online]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/yoshinkan-dvds-online-4836/]]></link>
   <description><![CDATA[Mugenjuku has a 3-DVD set of the Yoshinkan syllabus.  They let me borrow it, but it is in Japanese.  However, my father discovered they are on YouTube with English narration:
1. https://www.youtube.com/watch?v=AoqWF3Sdbxk
2. https://www.youtube.com/watch?v=GXsXlcABgUo
3. https://www.youtube.com/watch?v=KRjoqIhl7Ms


Please enjoy!]]></description>
   <pubDate>Sun, 28 Apr 2013 11:40:27 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>Mugenjuku has a 3-DVD set of the Yoshinkan syllabus.  They let me borrow it, but it is in Japanese.  However, my father discovered they are on YouTube with English narration:<ol style="list-style-type: decimal"><li><a href="https://www.youtube.com/watch?v=AoqWF3Sdbxk" target="_blank">https://www.youtube.com/watch?v=AoqWF3Sdbxk</a></li><li><a href="https://www.youtube.com/watch?v=GXsXlcABgUo" target="_blank">https://www.youtube.com/watch?v=GXsXlcABgUo</a></li><li><a href="https://www.youtube.com/watch?v=KRjoqIhl7Ms" target="_blank">https://www.youtube.com/watch?v=KRjoqIhl7Ms</a></li></ol><br />
Please enjoy!</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/yoshinkan-dvds-online-4836/]]></guid>
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   <title><![CDATA[Day 20 - bloody white pyjamas]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-20-bloody-white-pyjamas-4835/]]></link>
   <description><![CDATA[Out of the corner of my eye, I saw fellow kenshusei Izzy going down in the ukemi for nikajo with a large brown spot on the back of his dogi bottoms.  I thought, Oh no! Izzy’s soiled himself!  How embarrassing!  But it turned out he was bleeding through his dogi.

In the aftermath of 1000-sit-ups-day yesterday, it turns out I’m the only one in the class who didn’t have their lower back or bum rubbed raw by the sit-ups.  A quick survey of the class reveals that while I wear travel underwear made from moisture-wicking nylon, everyone else is wearing cotton underwear.  Even Carter-sensei had blood soaking through his gi top.  Ouch!

*First keiko* today was ken class, working on attack and parry for yokomen uchi.

I was shinkoku toban (group leader) this week, which meant that, in addition to calling commands for opening and closing rei, I led taiso warm-ups for the whole combined kenshusei and ippan ken class this morning.  At lunch, Payet-sensei complimented me on my Japanese.  So I was quite happy about that!!

*Second keiko* was all nikajo.  For some reason my knees felt terrific yesterday after the 1000 sit-ups.  Izzy said his also felt better, so I'm not crazy.  But today, they were back to all pain.  My knee caps just feel like to lumps of bruise sitting on the front of my legs.

In *third keiko*, we worked on some exercises for sankajo ichi and then did the complete waza a couple times towards the end of class.]]></description>
   <pubDate>Sun, 28 Apr 2013 11:39:48 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>Out of the corner of my eye, I saw fellow kenshusei Izzy going down in the ukemi for nikajo with a large brown spot on the back of his dogi bottoms.  I thought, <i>Oh no! Izzy’s soiled himself!  How embarrassing!</i>  But it turned out he was bleeding through his dogi.<br />
<br />
In the aftermath of 1000-sit-ups-day yesterday, it turns out I’m the only one in the class who didn’t have their lower back or bum rubbed raw by the sit-ups.  A quick survey of the class reveals that while I wear travel underwear made from moisture-wicking nylon, everyone else is wearing cotton underwear.  Even Carter-sensei had blood soaking through his gi top.  Ouch!<br />
<br />
<b>First keiko</b> today was ken class, working on attack and parry for yokomen uchi.<br />
<br />
I was <i>shinkoku toban</i> (group leader) this week, which meant that, in addition to calling commands for opening and closing rei, I led taiso warm-ups for the whole combined kenshusei and ippan ken class this morning.  At lunch, Payet-sensei complimented me on my Japanese.  So I was quite happy about that!!<br />
<br />
<b>Second keiko</b> was all nikajo.  For some reason my knees felt terrific yesterday after the 1000 sit-ups.  Izzy said his also felt better, so I'm not crazy.  But today, they were back to all pain.  My knee caps just feel like to lumps of bruise sitting on the front of my legs.<br />
<br />
In <b>third keiko</b>, we worked on some exercises for sankajo ichi and then did the complete waza a couple times towards the end of class.</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-20-bloody-white-pyjamas-4835/]]></guid>
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   <title><![CDATA[Day 19 - 1000 sit-ups & nikajo]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-19-1000-sit-ups-nikajo-4833/]]></link>
   <description><![CDATA[Probably I should be excited about a really good nikajo class today, including some adjustments that have me almost doing the ukemi properly.

But what I am really excited about is doing 1050+ sit-ups.  Yes, 1050+ sit-ups.

In *first keiko*, which is our conditioning class, Carter-sensei asked us to get into sit-up position.  This is how we usually start our conditioning routine.  Each person counts to 10, and we do 1 or 2 rounds of an exercise.  There are 3 kenshusei, plus sensei, plus sewanin Nick, so usually five people, or 50-100 repetitions of an exercise.

Today, after 2 rounds, sensei just said "Chris..." and I started counting again.  We just kept going and going, each counting out 10 sit-ups... ichi, ni, san, shi, go, roku, shichi, hachi, kyu, jyu... over and over, 105 times.

They were very bad form, with the knees bent about 90 degrees, the heels in the floor, and the arms wherever they were most comfortable.  But we did them continuously without stopping for almost 50 minutes.

The first 200 were the hardest.  After 200, we got into a rhythm, and the cadence helped with several hundred.  Then around 600 they were difficult again because of getting tired, but by 800 you could see the end in sight so they got easy again.  I was the first person in the circle and Carter-sensei the last.  When we reached 1000, I asked if we could do just one more round, to beat last year's kenshusei class.  So we did 1050, plus there were some extra repetitions in there from intentional miscounting.

They were surprisingly much easier than I thought 1000 sit-up-day would prove to be.  In part, I think the koho ukemi we practice are harder for the abs than sit-ups, so we've adapted somewhat.  But also, we kept a good mental attitude through the whole 50 minutes.  Takenaga-san had the hardest time, so we counted with her, gave her many "osu!"s, etc.  Nick mixed it up with doing cheerleading in place of counting; viz,
Gimme a G...G!
Gimme an A...A!
Gimme an M...M!
Gimme a B...B!
Gimme an A...A!
Gimme a T...T!
Gimme a T...T!
Gimme an E...E!
Whaddas that spell?...Gambatte!
Gambatte!...Osu!!

Carter-sensei maintained the best sit-up form throughout the routine, and I noticed there was blood seeping through the back of his dogi in the second and third keiko sessions.

I wish I could transmit to you the feeling of doing this.  After several hundred sit-ups, when you realize you have to keep going a long time, your body just sort of relaxes and goes on autopilot.  Although we were straining, we were also joking and laughing.  Around 700, when you're thinking, "I'm doing it!  I'm going to reach 1000!" you start getting giddy.  Or at least I did.  It was a feeling that stayed with me the whole day.

As I said, in *second and third keiko* sessions today, we broke down nikajo osae ni and made some real imrovements, but 1000 sit-ups!]]></description>
   <pubDate>Thu, 25 Apr 2013 14:27:34 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>Probably I should be excited about a really good nikajo class today, including some adjustments that have me almost doing the ukemi properly.<br />
<br />
But what I am really excited about is doing 1050+ sit-ups.  Yes, <i>1050+ sit-ups</i>.<br />
<br />
In <b>first keiko</b>, which is our conditioning class, Carter-sensei asked us to get into sit-up position.  This is how we usually start our conditioning routine.  Each person counts to 10, and we do 1 or 2 rounds of an exercise.  There are 3 kenshusei, plus sensei, plus sewanin Nick, so usually five people, or 50-100 repetitions of an exercise.<br />
<br />
Today, after 2 rounds, sensei just said &quot;Chris...&quot; and I started counting again.  We just kept going and going, each counting out 10 sit-ups... ichi, ni, san, shi, go, roku, shichi, hachi, kyu, jyu... over and over, 105 times.<br />
<br />
They were very bad form, with the knees bent about 90 degrees, the heels in the floor, and the arms wherever they were most comfortable.  But we did them continuously without stopping for almost 50 minutes.<br />
<br />
The first 200 were the hardest.  After 200, we got into a rhythm, and the cadence helped with several hundred.  Then around 600 they were difficult again because of getting tired, but by 800 you could see the end in sight so they got easy again.  I was the first person in the circle and Carter-sensei the last.  When we reached 1000, I asked if we could do just one more round, to beat last year's kenshusei class.  So we did 1050, plus there were some extra repetitions in there from intentional miscounting.<br />
<br />
They were surprisingly much easier than I thought 1000 sit-up-day would prove to be.  In part, I think the koho ukemi we practice are harder for the abs than sit-ups, so we've adapted somewhat.  But also, we kept a good mental attitude through the whole 50 minutes.  Takenaga-san had the hardest time, so we counted with her, gave her many &quot;osu!&quot;s, etc.  Nick mixed it up with doing cheerleading in place of counting; viz,<br />
Gimme a G...G!<br />
Gimme an A...A!<br />
Gimme an M...M!<br />
Gimme a B...B!<br />
Gimme an A...A!<br />
Gimme a T...T!<br />
Gimme a T...T!<br />
Gimme an E...E!<br />
Whaddas that spell?...Gambatte!<br />
Gambatte!...Osu!!<br />
<br />
Carter-sensei maintained the best sit-up form throughout the routine, and I noticed there was blood seeping through the back of his dogi in the second and third keiko sessions.<br />
<br />
I wish I could transmit to you the feeling of doing this.  After several hundred sit-ups, when you realize you have to keep going a long time, your body just sort of relaxes and goes on autopilot.  Although we were straining, we were also joking and laughing.  Around 700, when you're thinking, &quot;I'm doing it!  I'm going to reach 1000!&quot; you start getting giddy.  Or at least I did.  It was a feeling that stayed with me the whole day.<br />
<br />
As I said, in <b>second and third keiko</b> sessions today, we broke down nikajo osae ni and made some real imrovements, but 1000 sit-ups!</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-19-1000-sit-ups-nikajo-4833/]]></guid>
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   <title><![CDATA[Day 18 - nikajo & swollen knee]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-18-nikajo-swollen-knee-4832/]]></link>
   <description><![CDATA[Not much interesting to report here.  We practiced katate mochi nikajo osae ni.  My knees were about as bad today as ever, and I have a sore throat on top of it.  Basically, I can't do the kihon ukemi for this technique.  I'm not sure what I can do about this.

I took a bad fall today doing the ukemi and landed on the outside edge of my left patella.  I felt a strong pinching sensation, and then there was swelling.  Luckily it was close to the end of class, so I didn't have to practice on it too much longer.  It was bad enough that after class Nick told me to ice my knee instead of doing dojo soji.  This seems very Yoshinkan--if you have a visible injury and keep going, kudos.  Of course, an invisible injury might be much more serious, but no kudos.]]></description>
   <pubDate>Thu, 25 Apr 2013 13:59:26 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>Not much interesting to report here.  We practiced katate mochi nikajo osae ni.  My knees were about as bad today as ever, and I have a sore throat on top of it.  Basically, I can't do the kihon ukemi for this technique.  I'm not sure what I can do about this.<br />
<br />
I took a bad fall today doing the ukemi and landed on the outside edge of my left patella.  I felt a strong pinching sensation, and then there was swelling.  Luckily it was close to the end of class, so I didn't have to practice on it too much longer.  It was bad enough that after class Nick told me to ice my knee instead of doing dojo soji.  This seems very Yoshinkan--if you have a visible injury and keep going, kudos.  Of course, an invisible injury might be much more serious, but no kudos.</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-18-nikajo-swollen-knee-4832/]]></guid>
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   <title><![CDATA[Day 17 - nikajo & very clean mats]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-17-nikajo-very-clean-mats-4829/]]></link>
   <description><![CDATA[While yesterday was a lovely day, unfortunately I forgot to hang out the zokin rags to dry at the end of keiko.  Normally, I rinse them in the bathroom sink, then take them to the stairwell and put them on drying racks there.  However, there is a door inside the stairwell that gets locked when everyone leaves, and as it was already locked when I was told to meet Crampton and company at the cafe, I forgot the zokin weren't out.

For the *first keiko session* today, we spent an hour cleaning the dojo mats with zoukin over and over.  You start at one end of the dojo, get down on hands and toes, hold the zoukin flat to the mats with the palms of your hands, and push it to the other end of the dojo (running if possible).  Normally, we do this each day after class, but it takes only a couple minutes.  It is a little tiring after an hour.

I would love to say I will never forget the zokin again, but...

In *second keiko*, we worked on performing nikajo.  I have felt nikkyo performed by other aikidoka and practitioners of other martial arts in the past, and I was under the impression it is supposed to hurt.  Au contrare!  Actually, pain in the wrist means a lousy lock that isn't connected with the body.  However, it is very difficult to make a connection to the hips through the arms.  I think I did it maybe once today.

In *third keiko*, we worked on the entire technique of katate mochi nikajo osae ichi, including some hajime geiko.

I wish I had more to say about nikajo.  It is a wonderful technique to feel when it's done correctly, whether you are shite or uke.  Learning it is very difficult, however.  I haven't met anyone yet who can explain how it works from the perspective of uke's body mechanics.  Teaching is always about shite's form and actions, which seem contradictory...  Drop your body, but don't bend your knees.  Extend forward and backward with your upper body.  Extend your grasp like you're holding a sword, but don't twist uke's hand... 

One thing I figured out today is that if you do it wrong, it becomes like kotegaeshi.  Instead nikajo's lock is on the side of the wrist and forearm rather than the middle.  If you twist the hand around the wrist, the pain occurs on the pinky-finger side of the wrist, but the lock actually happens in the middle of the wrist, whereas you want the lock to occur in that place of pain (rather than the pain) so that the force is transferred to the elbow and shoulder along the bone structure rather than into the soft tissues of the forearm.  At least, I think that is right.

Today was Carter-sensei's birthday.  Happy Birthday, Sensei.]]></description>
   <pubDate>Tue, 23 Apr 2013 11:34:11 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>While yesterday was a lovely day, unfortunately I forgot to hang out the zokin rags to dry at the end of keiko.  Normally, I rinse them in the bathroom sink, then take them to the stairwell and put them on drying racks there.  However, there is a door inside the stairwell that gets locked when everyone leaves, and as it was already locked when I was told to meet Crampton and company at the cafe, I forgot the zokin weren't out.<br />
<br />
For the <b>first keiko session</b> today, we spent an hour cleaning the dojo mats with zoukin over and over.  You start at one end of the dojo, get down on hands and toes, hold the zoukin flat to the mats with the palms of your hands, and push it to the other end of the dojo (running if possible).  Normally, we do this each day after class, but it takes only a couple minutes.  It is a little tiring after an hour.<br />
<br />
I would love to say I will never forget the zokin again, but...<br />
<br />
In <b>second keiko</b>, we worked on performing nikajo.  I have felt nikkyo performed by other aikidoka and practitioners of other martial arts in the past, and I was under the impression it is supposed to hurt.  Au contrare!  Actually, pain in the wrist means a lousy lock that isn't connected with the body.  However, it is very difficult to make a connection to the hips through the arms.  I think I did it maybe once today.<br />
<br />
In <b>third keiko</b>, we worked on the entire technique of katate mochi nikajo osae ichi, including some hajime geiko.<br />
<br />
I wish I had more to say about nikajo.  It is a wonderful technique to feel when it's done correctly, whether you are shite or uke.  Learning it is very difficult, however.  I haven't met anyone yet who can explain how it works from the perspective of uke's body mechanics.  Teaching is always about shite's form and actions, which seem contradictory...  Drop your body, but don't bend your knees.  Extend forward and backward with your upper body.  Extend your grasp like you're holding a sword, but don't twist uke's hand... <br />
<br />
One thing I figured out today is that if you do it wrong, it becomes like kotegaeshi.  Instead nikajo's lock is on the side of the wrist and forearm rather than the middle.  If you twist the hand around the wrist, the pain occurs on the pinky-finger side of the wrist, but the lock actually happens in the middle of the wrist, whereas you want the lock to occur in that place of pain (rather than the pain) so that the force is transferred to the elbow and shoulder along the bone structure rather than into the soft tissues of the forearm.  At least, I think that is right.<br />
<br />
Today was Carter-sensei's birthday.  Happy Birthday, Sensei.</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-17-nikajo-very-clean-mats-4829/]]></guid>
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   <title><![CDATA[Day 16 - keiko, Triumph, and pizza]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-16-keiko-triumph-and-pizza-4828/]]></link>
   <description><![CDATA[Monday 22 April 2013

Identify the hilarious comedy sketch from which this line comes...

"And which of these buttons calls your parents to pick you up?"

...answer at end of post.

I had a pretty decent, outstanding day today, starting off with a passable performance leading taiso warm-ups in Japanese.

The first keiko session included 200 koho ukemi (working up to 1000 or one hour, whichever I don't know...), "mae mawari ukemi Tabatas" (ukemi as fast as possible for 20 sec with 10 sec rest intervals), and bear-walking on the backs of the hands (yes, it hurts).

Keiko sessions 2 and 3 were all practice of the four waza we have covered so far:
katate mochi shihonage ichi
katate mochi shihonage ni
shomen uchi ikkajo osae ichi
shomen uchi ikkajo osae ni

Crampton-sensei gave us a jo exercise in which both partners hold onto the jo and shite performs something like the motions of shihonage ichi, while uke receives the technique through the jo.  It was extremely instructive in showing where we are trying to use strength instead of form.

Crampton-sensei also stepped in to train with us and pointed out some errors you probably couldn't see but could feel--most importantly that when uke pushes in katate mochi, I tend to push back.  When I stopped doing that, my whole body and technique became relaxed, uke became relaxed, and the technique improved considerably.

Finally, as I am the shinkoku toban this week, I was charged with leading shinkoku and received the comment "first correct shinkoku so far this year."

Shinkoku is the ceremony we perform to open and close training each day.  Students line up standing, and the Shinkoku Toban announces:
1. "Crampton-sensei ni rei"
2. steps out, bows, and "osu!"
3. to sensei: "Chris kenshusei hoka ni mei honjitsu no keiko yoroshiku onegaishimasu" (Chris and 2 other kenshusei request training today.)
4. bows, "osu!", and steps back into line
5. "sensei ni rei"
6. all together: "osu!"

At the end of the day, it is repeated, but with a Thank You instead of a Please.

After training, Crampton-sensei invited us for tea, and I discovered that he could identify the line from the opening of this post!!  Amazing.  It is from this Triumph the Insult Comic Dog sketch (http://www.youtube.com/watch?v=7zWNJHS9PBE).

After practice, Nick and I went shopping for a present for Carter-sensei's birthday and then met up with a Scotsman named John who goes to the ippan classes at Mugenjuku.  We went out for pizza at Dai's Kitchen, which does the best pizza I've had in Kyoto.]]></description>
   <pubDate>Tue, 23 Apr 2013 10:58:33 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>Monday 22 April 2013<br />
<br />
Identify the hilarious comedy sketch from which this line comes...<br />
<br />
&quot;And which of these buttons calls your parents to pick you up?&quot;<br />
<br />
...answer at end of post.<br />
<br />
I had a pretty decent, outstanding day today, starting off with a passable performance leading taiso warm-ups in Japanese.<br />
<br />
The first keiko session included 200 koho ukemi (working up to 1000 or one hour, whichever I don't know...), &quot;mae mawari ukemi Tabatas&quot; (ukemi as fast as possible for 20 sec with 10 sec rest intervals), and bear-walking on the backs of the hands (yes, it hurts).<br />
<br />
Keiko sessions 2 and 3 were all practice of the four waza we have covered so far:<br />
katate mochi shihonage ichi<br />
katate mochi shihonage ni<br />
shomen uchi ikkajo osae ichi<br />
shomen uchi ikkajo osae ni<br />
<br />
Crampton-sensei gave us a jo exercise in which both partners hold onto the jo and shite performs something like the motions of shihonage ichi, while uke receives the technique through the jo.  It was extremely instructive in showing where we are trying to use strength instead of form.<br />
<br />
Crampton-sensei also stepped in to train with us and pointed out some errors you probably couldn't see but could feel--most importantly that when uke pushes in katate mochi, I tend to push back.  When I stopped doing that, my whole body and technique became relaxed, uke became relaxed, and the technique improved considerably.<br />
<br />
Finally, as I am the shinkoku toban this week, I was charged with leading shinkoku and received the comment &quot;first correct shinkoku so far this year.&quot;<br />
<br />
Shinkoku is the ceremony we perform to open and close training each day.  Students line up standing, and the Shinkoku Toban announces:<ol style="list-style-type: decimal"><li>&quot;Crampton-sensei ni rei&quot;</li><li>steps out, bows, and &quot;osu!&quot;</li><li>to sensei: &quot;Chris kenshusei hoka ni mei honjitsu no keiko yoroshiku onegaishimasu&quot; (Chris and 2 other kenshusei request training today.)</li><li>bows, &quot;osu!&quot;, and steps back into line</li><li>&quot;sensei ni rei&quot;</li><li>all together: &quot;osu!&quot;</li></ol>At the end of the day, it is repeated, but with a Thank You instead of a Please.<br />
<br />
After training, Crampton-sensei invited us for tea, and I discovered that he could identify the line from the opening of this post!!  Amazing.  It is from <a href="http://www.youtube.com/watch?v=7zWNJHS9PBE" target="_blank">this Triumph the Insult Comic Dog sketch</a>.<br />
<br />
After practice, Nick and I went shopping for a present for Carter-sensei's birthday and then met up with a Scotsman named John who goes to the ippan classes at Mugenjuku.  We went out for pizza at Dai's Kitchen, which does the best pizza I've had in Kyoto.</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-16-keiko-triumph-and-pizza-4828/]]></guid>
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   <title><![CDATA[taiso]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/taiso-4825/]]></link>
   <description><![CDATA[Taiso is our warm-up exercises.  Starting tomorrow morning, I have to lead warm-ups for a week.  Probably I will be doing well just to remember all the pieces in order, but I was hoping to learn them in Japanese, too.  Here is what we've got.  It starts after the opening rei.  Sensei asks you to do warm-ups with some phrase like "taiso onegaishimasu."

In general, the count is 1-8 repeated twice.  The leader says 1, 2 and 5, 6, while everyone counts together on 3, 4 and 7, 8.  It makes for a sort of rhythmic chanting that gets everyone into a cadence: 
"ichi, ni, SAN, SHI, go, roku, SHICHI, HACHI, ichi, ni, SAN, SHI, go roku, SHICHI, HACHI."

There are two places where you count 1-10 instead of 1-8, and the followers reply with "ehh!":
"ichi, EH, ni, EH, san, EH..."

*_Taiso_*
_Japanese_ , _English_ , _count_

hirogate kudosai , please circle-up

choyaku , jumping (on toes) , 8x2
hisa kussin , bending the knees, 8x2
hisa mawashite , circle the knees , 8x2

shin kyaku , stretch legs , 8x2
fukaku , go lower , 8x2

zenkyo kutsu , back and forth , 8x2
taisoku , "deep sigh" to the side , 8x2
koshikara mawashite , "rotate the seat" rotating from the hip , 8x2

mune no undo , "chest exercise" opening the chest , 8x2
ude mawashite , rotate the arms , 8x2

kubi no undo , "neck exercise" head up and down , 8x2
sayu , "symmetrical pair" head to the side , 8x2
mawashite , rotate , 8x2

suwate kudosai , please sit down

ashi kubi mawashite , rotate the foot-neck (ankle) , no count

junan mae , touch toes , 8x2
ashi o hiraite , open the feet
hidari , left stretch , 8x2
migi , right stretch , 8x2
mae , front , 8x2
hinette , twist , 8x2

hisa jyoge , bounce the knees , 8x2 then 1-10 flexing the hip
muikai , repeat
(or...
ashi o tojite kokansetsu , feet together and hip joint , 8x2 then 1-10
muikai, repeat)

ushiro e , knees over the head , no count

tatte kudosai , please stand

migi ashi o mae , right foot forward
Akiresuken o nobashite , Achilles tendon strech , 8x2
hantai , other side , 8x2
koshi ire , hip twist , 1-10
hantai, other side , 1-10

tekubi ashikubi o futte kudosai , "hand-neck foot-neck shaking, please" please shake wrists and ankles , no count

kotegaeshi , wrist stretch , no count
nikkajo , wrist stretch , no count
sankajo , wrist stretch , no count
te o futte kudosai , shake out the hands , no count

ijo de taiso o owarimasu , warm-ups are at an end!

* please note: I am not 100% sure about the Romaji in this write-up]]></description>
   <pubDate>Sun, 21 Apr 2013 07:35:26 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>Taiso is our warm-up exercises.  Starting tomorrow morning, I have to lead warm-ups for a week.  Probably I will be doing well just to remember all the pieces in order, but I was hoping to learn them in Japanese, too.  Here is what we've got.  It starts after the opening rei.  Sensei asks you to do warm-ups with some phrase like &quot;taiso onegaishimasu.&quot;<br />
<br />
In general, the count is 1-8 repeated twice.  The leader says 1, 2 and 5, 6, while everyone counts together on 3, 4 and 7, 8.  It makes for a sort of rhythmic chanting that gets everyone into a cadence: <br />
&quot;ichi, ni, SAN, SHI, go, roku, SHICHI, HACHI, ichi, ni, SAN, SHI, go roku, SHICHI, HACHI.&quot;<br />
<br />
There are two places where you count 1-10 instead of 1-8, and the followers reply with &quot;ehh!&quot;:<br />
&quot;ichi, EH, ni, EH, san, EH...&quot;<br />
<br />
<b><u>Taiso</u></b><br />
<u>Japanese</u> , <u>English</u> , <u>count</u><br />
<br />
<i>hirogate kudosai , please circle-up</i><br />
<br />
choyaku , jumping (on toes) , 8x2<br />
hisa kussin , bending the knees, 8x2<br />
hisa mawashite , circle the knees , 8x2<br />
<br />
shin kyaku , stretch legs , 8x2<br />
fukaku , go lower , 8x2<br />
<br />
zenkyo kutsu , back and forth , 8x2<br />
taisoku , &quot;deep sigh&quot; to the side , 8x2<br />
koshikara mawashite , &quot;rotate the seat&quot; rotating from the hip , 8x2<br />
<br />
mune no undo , &quot;chest exercise&quot; opening the chest , 8x2<br />
ude mawashite , rotate the arms , 8x2<br />
<br />
kubi no undo , &quot;neck exercise&quot; head up and down , 8x2<br />
sayu , &quot;symmetrical pair&quot; head to the side , 8x2<br />
mawashite , rotate , 8x2<br />
<br />
<i>suwate kudosai , please sit down</i><br />
<br />
ashi kubi mawashite , rotate the foot-neck (ankle) , no count<br />
<br />
junan mae , touch toes , 8x2<br />
ashi o hiraite , open the feet<br />
hidari , left stretch , 8x2<br />
migi , right stretch , 8x2<br />
mae , front , 8x2<br />
hinette , twist , 8x2<br />
<br />
hisa jyoge , bounce the knees , 8x2 then 1-10 flexing the hip<br />
muikai , repeat<br />
(or...<br />
ashi o tojite kokansetsu , feet together and hip joint , 8x2 then 1-10<br />
muikai, repeat)<br />
<br />
ushiro e , knees over the head , no count<br />
<br />
<i>tatte kudosai , please stand</i><br />
<br />
migi ashi o mae , right foot forward<br />
Akiresuken o nobashite , Achilles tendon strech , 8x2<br />
hantai , other side , 8x2<br />
koshi ire , hip twist , 1-10<br />
hantai, other side , 1-10<br />
<br />
tekubi ashikubi o futte kudosai , &quot;hand-neck foot-neck shaking, please&quot; please shake wrists and ankles , no count<br />
<br />
kotegaeshi , wrist stretch , no count<br />
nikkajo , wrist stretch , no count<br />
sankajo , wrist stretch , no count<br />
te o futte kudosai , shake out the hands , no count<br />
<br />
<i>ijo de taiso o owarimasu , warm-ups are at an end!</i><br />
<br />
* please note: I am not 100% sure about the Romaji in this write-up</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/taiso-4825/]]></guid>
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   <title><![CDATA[terrible, horrible, no good, very bad day]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/terrible-horrible-no-good-very-bad-day-4824/]]></link>
   <description><![CDATA[Note to readers: this is another complaint post.  Please skip if you are getting tired of them...

I am having trouble finding work, so have to take it wherever I can find it.  One place is a small English school outside Osaka.  They give me a few hours work on some Saturdays.  It takes me two hours to commute there from my apartment.

Today, I arrived 30 minutes early, and my student's mother was 15 minutes late.  So I got paid 2 hours for taking 7 hours out of my day.  Plus, my travel expense remuneration didn't cover my travel expenses, so I made about $2 per hour today.  That's less than 1/10 what I was making at home.  Ouch.

But wait, it gets better...

I parked my bike in a place on Karasuma-dori where there are always a lot of bikes parked, although technically you are not supposed to park there.  So today, my bike was disappeared in a government round-up.  I made $15 today, but I have to pay $25 to get my bike out of lock-up or $65 for a new bike at the used-bike shop.  The advantage of buying a new bike is that I don't have to present my passport to the police and be recorded as a bicycle-parking-violator.

My walk home from the Imadegawa subway station was lightened only by stops on the way at Shiramine-jinja and Liquor Mountain.  I noticed today that Shiramine has a lot of sports equipment that has been dedicated to the kami.  Rather interesting to see.

I also took a close-up look at the wood floor of the demonstration area where our embu will be held.  I find it hard to believe I will actually be taking ukemi on that in two weeks.]]></description>
   <pubDate>Sat, 20 Apr 2013 14:02:37 GMT</pubDate>
   
   <content:encoded><![CDATA[<div><i>Note to readers:</i> this is another complaint post.  Please skip if you are getting tired of them...<br />
<br />
I am having trouble finding work, so have to take it wherever I can find it.  One place is a small English school outside Osaka.  They give me a few hours work on some Saturdays.  It takes me two hours to commute there from my apartment.<br />
<br />
Today, I arrived 30 minutes early, and my student's mother was 15 minutes late.  So I got paid 2 hours for taking 7 hours out of my day.  Plus, my travel expense remuneration didn't cover my travel expenses, so I made about $2 per hour today.  That's less than 1/10 what I was making at home.  Ouch.<br />
<br />
But wait, it gets better...<br />
<br />
I parked my bike in a place on Karasuma-dori where there are always a lot of bikes parked, although technically you are not supposed to park there.  So today, my bike was disappeared in a government round-up.  I made $15 today, but I have to pay $25 to get my bike out of lock-up or $65 for a new bike at the used-bike shop.  The advantage of buying a new bike is that I don't have to present my passport to the police and be recorded as a bicycle-parking-violator.<br />
<br />
My walk home from the Imadegawa subway station was lightened only by stops on the way at Shiramine-jinja and Liquor Mountain.  I noticed today that Shiramine has a lot of sports equipment that has been dedicated to the kami.  Rather interesting to see.<br />
<br />
I also took a close-up look at the wood floor of the demonstration area where our embu will be held.  I find it hard to believe I will actually be taking ukemi on that in two weeks.</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/terrible-horrible-no-good-very-bad-day-4824/]]></guid>
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   <title><![CDATA[Day 15 - shomen uchi ikkajo osae ni]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-15-shomen-uchi-ikkajo-osae-ni-4823/]]></link>
   <description><![CDATA[My knees were feeling so good on Friday morning at ken class.  I thought, "wow, no conditioning class this morning, so my knees are going into waza training fresh and strong.  I'm going to have a great day!"  Then we started keiko session 2 with koho ukemi practice.  Dang.

Today's waza instruction was entirely by Payet-sensei.  It is interesting to have classes taught alternately by Crampton-sensei and Payet-sensei as they have very different teaching styles and focus on very different aspects of the technique.

Crampton-sensei tends to focus on mechanics, as in "don't do X, or it will do Y to your muscles, and then you won't be able to do Z."  Payet-sensei tends to focus on form and large principles, as in "X is not correct, so you will be off balance this way... [demonstrates]."  They are both valuable instructions, but sometimes when you have 10 things on your plate already, having a new chef add another 5 can be daunting.

I found hajime geiko today to be quite helpful as it really warmed up my knees.  Also, when you start getting thrown into the mat in ikkajo osae ni, you think "surely I am going to get scraped, scuffed, bruised, or battered having my face thrown into the mat over and over."  But after you've done it at high speed enough times, you start to lose fear of it.  I suppose this good for training, but--I would think--dangerous for beginners as well...

*Keiko 1* - Friday morning ken class: work on extending and blending with sword and jo

*Keiko 2* - koho ukemi, tai no henko ni, review of shihonage and ikkajo osae ichi plus hajime geiko with all three techniques

*Keiko 3* - shomen uchi ikkajo osae ni practice and hajime geiko, then bunny hops to finish the day.  Bunny hops!!]]></description>
   <pubDate>Sat, 20 Apr 2013 13:49:43 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>My knees were feeling so good on Friday morning at ken class.  I thought, &quot;wow, no conditioning class this morning, so my knees are going into waza training fresh and strong.  I'm going to have a great day!&quot;  Then we started keiko session 2 with koho ukemi practice.  Dang.<br />
<br />
Today's waza instruction was entirely by Payet-sensei.  It is interesting to have classes taught alternately by Crampton-sensei and Payet-sensei as they have very different teaching styles and focus on very different aspects of the technique.<br />
<br />
Crampton-sensei tends to focus on mechanics, as in &quot;don't do X, or it will do Y to your muscles, and then you won't be able to do Z.&quot;  Payet-sensei tends to focus on form and large principles, as in &quot;X is not correct, so you will be off balance this way... [demonstrates].&quot;  They are both valuable instructions, but sometimes when you have 10 things on your plate already, having a new chef add another 5 can be daunting.<br />
<br />
I found hajime geiko today to be quite helpful as it really warmed up my knees.  Also, when you start getting thrown into the mat in ikkajo osae ni, you think &quot;surely I am going to get scraped, scuffed, bruised, or battered having my face thrown into the mat over and over.&quot;  But after you've done it at high speed enough times, you start to lose fear of it.  I suppose this good for training, but--I would think--dangerous for beginners as well...<br />
<br />
<b>Keiko 1</b> - Friday morning ken class: work on extending and blending with sword and jo<br />
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<b>Keiko 2</b> - koho ukemi, tai no henko ni, review of shihonage and ikkajo osae ichi plus hajime geiko with all three techniques<br />
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<b>Keiko 3</b> - shomen uchi ikkajo osae ni practice and hajime geiko, then bunny hops to finish the day.  Bunny hops!!</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/day-15-shomen-uchi-ikkajo-osae-ni-4823/]]></guid>
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   <title><![CDATA[one mocha karate, please]]></title>
   <link><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/one-mocha-karate-please-4822/]]></link>
   <description><![CDATA[I was so tired when I wrote the last post that I didn't notice that the title said "karate mochi" instead of "katate mochi".  In my defense, this is an auto-correct problem.  I'm using Nick's laptop, which autocorrects to British English, and also auto-corrects "katate mochi" to "karate mocha," which I have to manually-re-correct.  Very annoying.  Damn Safari browser!

Also, I was so tired that I failed to note that I was writing katate mochi ikkajo osae, when the technique we were doing was "shomen uchi ikkajo osae".  Oops!!

If you don't know, "katate mochi" is "wrist grab", while "shomen uchi" is "front strike".  Two very different attacks!]]></description>
   <pubDate>Sat, 20 Apr 2013 13:34:11 GMT</pubDate>
   
   <content:encoded><![CDATA[<div>I was so tired when I wrote the last post that I didn't notice that the title said &quot;karate mochi&quot; instead of &quot;katate mochi&quot;.  In my defense, this is an auto-correct problem.  I'm using Nick's laptop, which autocorrects to British English, and also auto-corrects &quot;katate mochi&quot; to &quot;karate mocha,&quot; which I have to manually-re-correct.  Very annoying.  Damn Safari browser!<br />
<br />
Also, I was so tired that I failed to note that I was writing katate mochi ikkajo osae, when the technique we were doing was &quot;shomen uchi ikkajo osae&quot;.  Oops!!<br />
<br />
If you don't know, &quot;katate mochi&quot; is &quot;wrist grab&quot;, while &quot;shomen uchi&quot; is &quot;front strike&quot;.  Two very different attacks!</div>]]></content:encoded>
   
   <dc:creator>ChrisMikk</dc:creator>
   <guid isPermaLink="true"><![CDATA[http://www.aikiweb.com/blogs/kyoto-kenshusei-23009/one-mocha-karate-please-4822/]]></guid>
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