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<blogEntry id="4497">
	<title><![CDATA[out by kirino | rashomon by kurosawa]]></title>
	<body><![CDATA[[indent][indent][indent][indent][indent][indent][indent][i][URL="http://www.flickr.com/photos/sheepie/3861838635/"]Out / Natsuo Kirino[/URL] by Laura González[/indent][/indent][/indent][/indent][/indent][/indent][/indent][/i]


[I][B]It's human to lie. Most of the time we can't even be honest with ourselves.[/B]
Rashomon


[B]As a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer.[/B]
Victor Hugo, preface to Cromwell


[B]Fate is what happens to you in spite of all your plans.[/B]
Natsuo Kirino, Out


[B]In order to induce the process of decay, water is necessary. I think that, in the case of women, men are the water.[/B]
Natsuo Kirino, Grotesque[/i]


Last week I wrote about [URL="http://www.aikiweb.com/blogs/moon-in-the-water-19051/myth-izanagi-izanami-and-the-leech-child-4487/"]Izanagi and Izanami[/URL]. A Japanese creation myth. O Sensei Morihei Ueshiba, the founder of aikido, spoke about this myth. 

I just found out this week - to my surprise - that the popular Japanese crime writer Natsuo Kirino wrote about the myth as part of a series on world mythology. Three of Natsuo Kirino's modernist noir novels have been translated into English. [I]Out[/I], [I]Grotesque[/I] and [I]Real World[/I]. They are very dark psychological thrillers. A little like Jim Thompson or James M Cain perhaps. Ice-cold and matter-of-fact. 

As her stories develop Natsuo Kirino likes to shift the perspective by using different narrators. This is a technique used in [I]Rashomon[/I], one of Akira Kurosawa's most famous samurai movies. [I]Rashomon[/I] was based on two stories by Ryunosuke Akutagawa: [I]Rashomon[/I] and [I]In the Grove[/I]. Narrators do not always tell the truth. Or perhaps they do not understand the real truth. That is called an unreliable narrator. But innocently mistaken or deliberately disingenuous? To find out you'll have to read the books. And see the movie.

Natsuo Kirino's main characters are mostly powerful women. And many of her characters are somehow outsiders in Japanese society. Perhaps she even thinks of women as outsiders in Japanese society. She used the English word [I]Out[/I] - with its many layers of meaning - as the title for her book in Japanese. But for example [I]Out[/I] is also about Japanese Brazilian shift workers. 

The story of the Japanese diaspora is very interesting. There were waves of emigrants from Japan at the end of the nineteenth century and in the early twentieth century. At the end of the twentieth century there were waves in the other direction as Japanese Brazilians and Japanese Peruvians and many others came to Japan to find work. First, second and third generation descendants of Japanese have certain rights to Japanese nationality or visa status. Famously invoked by Alberto Fujimori the former President of Peru in an attempt to escape prosecution. For a while anyway. 

And of course the Japanese diaspora includes all the Japanese aikido teachers who left Japan. I talked about that briefly in [URL="http://www.aikiweb.com/blogs/moon-in-the-water-19051/exiles-4348/"]exiles[/URL].

Niall


[i][B]e-books | poems | texts | background articles[/B]

[url]http://www.gavroche.org/vhugo/cromwellpreface.shtml[/url]
Victor Hugo, preface to Cromwell

[url]http://www.gutenberg.org/ebooks/8775[/url]
Victor Hugo, Poems

[url]http://www.kirino-natsuo.com/[/url] 
Natsuo Kirino's home page

[url]http://sites.google.com/site/renemalenfant/rashomon[/url] text of Rashomon
[url]http://en.wikipedia.org/wiki/In_a_Grove[/url] links to texts of In a Grove

[url]http://en.wikipedia.org/wiki/Natsuo_Kirino[/url]
[url]http://en.wikipedia.org/wiki/Out_(novel)[/url]
[url]http://en.wikipedia.org/wiki/Grotesque_(novel)[/url]
[url]http://en.wikipedia.org/wiki/Real_World_(novel)[/url]
[url]http://www.laweekly.com/2007-07-05/art-books/grotesque-natsuo-kirino-s-dark-world/1/[/url]
[url]http://en.wikipedia.org/wiki/Unreliable_narrator[/url] 
[url]http://en.wikipedia.org/wiki/Rashomon_effect[/url]
[url]http://en.wikipedia.org/wiki/Rash%C5%8Dmon_(short_story)[/url] 
[url]http://en.wikipedia.org/wiki/Rashomon_(film)[/url] 
[url]http://www.criterion.com/films/307[/url] interviews about the movie Rashomon
[url]http://akas.imdb.com/title/tt0042876/[/url] Rashomon on IMDb
[url]http://en.wikipedia.org/wiki/Japanese_creation_myth[/url] 
[url]http://en.wikipedia.org/wiki/Nikkeijin[/url]
[url]http://en.wikipedia.org/wiki/Japanese_Brazilian[/url]
[url]http://en.wikipedia.org/wiki/Japanese_American[/url] 


photo of book: Out / Natsuo Kirino by Laura González
[url]http://www.flickr.com/photos/sheepie/3861838635/[/url]
photostream: [url]http://www.flickr.com/photos/sheepie/with/3861838635/[/url]


my home page with a mirror of these blog posts plus other stuff: 
[URL="http://mooninthewater.net/aikido"]mooninthewater.net/aikido[/URL]
 

my [URL="http://www.aikiweb.com/forums/forumdisplay.php?f=75&filter[1]=Niall%20Matthews"]columns[/URL] on aikiweb


I have an essay in a [URL="http://fortohoku.org/"]charity e-book[/URL] put together by some writers and photographers to raise money for victims of the earthquake and tsunami in Tohoku on 11 March 2011. It costs $9.99.[/i]


© niall matthews 2012]]></body>
	<date>04-28-2012</date>
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