The Gentle Art of Cat Fu by "The Mirror"
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This article was written by Katherine Derbyshire.
Two years ago, I began studying another martial art. My aikido
practice continues, but I also adopted a pair of four month-old
kittens. That was my introduction to the ancient art of cat fu.
Human martial artists often wonder if their practice is "real." Will
it save them from muggers, protect them in bar fights, give them
"combat skills?" Humans endlessly debate whether the written and
unwritten rules of dojo practice have drained the realism from their
arts.
When you're only 12 inches tall, all fights really do go to ground.
For animals in the wild, fighting is a matter of life and death. It's
how hunters capture their prey and how prey species survive. Animals
fight to take and hold territory, to earn the opportunity to
reproduce, to protect their young. It doesn't get more real than
that.
Though my cats live pampered, sheltered lives compared to their wild
cousins, they clearly take their hunting skills very seriously. They
focus on potential prey with the lethal intensity of military snipers
and Olympic biathletes. They circle each other like gunslingers,
watching every twitch for a threat or an opening. They pounce with
speed that defines the phrase "catlike reflexes."
In hot pursuit.
Yet they're surprisingly gentle, with each other and with fragile
humans. Wrestling with each other, they bite, kick with their strong
back legs, slap with their front paws, but never break the skin. Only
rarely will one complain that his brother is being too rough. They
understand that human skin is easily damaged, too. While they might
pounce on fingers and toes, they almost never leave even a scratch.
In martial arts terms, I would say that cats know how to protect their
practice partners, and know the difference between play -- however
serious -- and a real fight. They didn't learn the difference by
reading a sign in the cat fu dojo or a post on Aikiweb -- written
language still eludes them. Rather, they learned it from their litter
mates and from older cats, humans, dogs, and other practice partners.
Analogies can be stretched too far. Humans are not cats, and a human
dojo offers far more complex social interactions than a litter of
kittens or a pride of lions. Still, the cat fu model of healthy
socialization isn't really that far from the way a healthy dojo
works. New students want to be convinced that their technique is
"real" -- otherwise they're wasting their time -- but they may not be
sure what "realism" actually means. They probably don't mean to hurt
anyone, but they don't necessarily have much control or sensitivity.
It's up to more senior students to tell them when they're being too
rough or otherwise violating the unwritten contract between uke and
nage.
A successful hunt.
It's also up to senior students, and ultimately the instructor, to
define the lines that cannot be crossed. Cats have boundaries, too,
and a clear vocabulary that other cats and sufficiently observant
humans can read. Crossing these lines can turn play into something
very serious indeed: a real fight.
We adopted an elderly cat at the same time as the two kittens. Though
the kittens quickly grew to nearly twice her size, they also learned
not to challenge her. Cats warn others that they are serious by
growling, hissing, and finally attacking with claws extended and ready
to do damage. The difference between play and a serious fight is
obvious to human observers, and certainly to the cats involved. It
might be anthropomorphizing to say that cats consider the consequences
before entering a serious fight, but ours do seem to avoid fights
while taking every opportunity to play.
In human dojos, drawing live steel on overly aggressive beginners is
generally frowned upon. Still, clear lines separate acceptable
practice, however vigorous, from real fights. It's up to senior
students and the instructor to avoid crossing those lines, and to warn
beginners when they approach the boundaries.
Atemi is very important.
When human martial artists try to add realism to their practice, they
sometimes look to "ultimate fighting" competitions, competitive
sparring, or some other practice that's perceived to have fewer
rules. Yet "real" cat fu looks pretty much like practice cat fu. Two
lions fighting over territory look pretty much like my two kittens
wrestling on the floor. A cheetah bringing down a gazelle uses moves
very similar to those my cats use on their toys, or even on each
other. The difference is intent, manifested in claws that stay
retracted, or not, in jaws that do or don't quite close.
The dilemma of "realistic" practice is that reality is too dangerous
to practice. Intent offers a way out. Humans don't have retractable
claws, but they can decide whether to continue a wrist turn against
resistance, whether to land a punch, whether to support uke's shoulder
during a break fall. We don't practice to recreate reality, but to
develop the skills that give us choices in real situations, the skills
that allow us to manifest our intent.
All photos are Copyright 2006 by Katherine Derbyshire
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