Hi everyone,
I just got back from the 1998 Thanksgiving Seminar with Ikeda sensei
here at Boulder Aikikai, and I thought I'd write up some of my
experiences from it.
First off, I have to say that being injured is extremely frustrating.
During the weekend, the number one priority for me was to protect my
elbow; I first put my elbow into a neoprene tube-like thing as a
pre-wrap (since the pre-wrap tape I used to use didn't hold too
well), then I used about four to six feet of athletic tape to render
it basically immobile, then on top of all that, I wear a
neoprene/velcro elbow brace. Basically, it's as if I'm doing
"unbendable arm" all the time. Even with all of these prophylactics,
I ended up with an elbow that now hurts more than it did last week.
Sheesh. I think I'll be sitting out again for a while...
Anyway, the seminar started out on Friday night with around sixty
people or so. I actually expected more people from Boulder Aikikai
to show up, but I guess a lot of them were either out of town for the
holiday weekend, or they thought they see enough of Ikeda sensei
during normal classes that a seminar wouldn't be much different.
Now, I'd have to disagree on that last point. I think up until now
(especially since I haven't trained much since I've come up here),
I've logged more hours with Ikeda sensei during seminars than during
his normal classes, and I have to say that Ikeda sensei does teach
differently during seminars than during his normal classes.
During his everyday classes at Boulder Aikikai, Ikeda sensei will
generally show a technique about four to eight times in front of the
class without much explanation, then he'll train with the person whom
he used to demonstrate the technique. So, not much explanation and
not much getting to feel him unless you were called up for ukemi.
During his seminars, though, Ikeda sensei explains a lot more about
what he's doing. Since much of what he does is so small and
difficult to see, listening to his explanations, I think, is very
important to understand what he is teaching. (Of course, I've picked
up other methods of figuring out what he's doing watching where uke
goes when he throws to get some understanding of the direction of his
tiny spirals. The best way, of course, is to feel him....)
On Friday night, Ikeda sensei went over the notion that nage should
affect uke at the instance of being touched. He demonstrated how
receiving the attack straight on resulted in nage very often getting
overpowered. Rather than trying to absorb uke's attack on uke's
line, Ikeda sensei demonstrated redirecting uke's attack on an angle
so as to disrupt uke's center. For example, when being grabbed in
katatedori, nage can turn his wrist just slightly to affect uke's
shoulder; this will take out a lot of the power that uke intended to
force upon nage.
Ikeda sensei then went on to explain that only after nage has
affected uke in this manner should nage try to throw uke. Most
importantly, although the arm and hand is used very often to disrupt
uke's balance and strength, Ikeda sensei emphasized that it should be
nage's entire body, especially the hips and the legs, that should
deliver the power of the throw itself. Ikeda sensei demonstrated
this by showing various "stages" of ikkyo in which nage just used his
wrist/arm to disrupt uke's center, then nage used his hips to further
throw uke off-balance, then nage used his legs (bending his knees) to
drive uke down onto the mat. (Having been on the receiving end of
this before, I have to say that Ikeda sensei's ikkyo technique is
more than adequate to bury me a foot or two into the mat.)
I unfortunately missed Saturday morning class as I was taking the
GMAT at that time, but I heard reports from others that he did a bit
of bokken work (bokken vs bokken). I'm sorry to have missed it, as I
really do love doing bokken stuff.
Saturday afternoon was very interesting, though. Despite the fact
that the seminar announcement flyer that was sent out said something
to the effect of, "Although tanto will be required, please do _not_
bring your bokken, jo, or shinai," Ikeda sensei proceeded to go over
tachidori, jodori, and tantodori. (At least we didn't practice
randori against three attackers with shinai...) Ikeda sensei showed
us quite a lot of "defenses" (more than I've seen before, at least)
with a sheathed sword (tucked into your hakama straps) against people
grabbing you, from both katatedori and kosadori. Most of these
turned into ikkyo or nikkyo, a few utilizing atemi with the
protruding sword hilt.
For the empty-handed techniques, Ikeda sensei emphasized that each
movement that you do should serve a function and not just be movement
for movement's sake. For example, in the tenkan portion of
yokomenuchi shihonage, nage should take uke's balance during the
tenkan so uke is in a disadvantageous situation upon the completion
of the tenkan; if uke continues to maintain balance, there is no
point in performing a tenkan movement.
In the same manner, Ikeda sensei demonstrated that the ikkyo movement
that we practice during our initial phases of training development is
merely that -- just an exercise in learning about movement. Rather
than trying to affect the arm itself, nage should use the arm to
affect uke's center. If nage does not affect uke's center, uke
continues to be strong, balanced, and able to attack with his or her
other arm and legs. Nage must unbalance uke (kuzushi) before the
rest of the technique is applied.
On Saturday evening, Kevin Keilbach of Boulder Aikikai organized a
dinner in honor of Ikeda sensei's 30 years in aikido. We gathered at
Attuso's, an Italian restaurant near downtown Boulder where over
fifty people showed up to celebrate. A cake with a frosting-picture
of Ikeda sensei throwing Tres Hofmeister was presented; everyone in
attendance remarked that poor Tres's figure was headless and must
have gotten buried into the mat. Tres presented a brief speech in
which he thanked Ikeda sensei for his thiry years in aikido, 18 of
which were in Boulder, and wished him health for thirty more years.
Ikeda sensei joked that he'll be happy to teach a 60th year
anniversary when he's 78, as long as Tres comes out to be uke for him
with his walker in tow. All in all, it was a great dinner and a
wonderful get-together; I think Kevin did a great job.
Sunday was a lot more intensive workout. Usually, it seems like
Ikeda sensei teaches his first day of class a lot less intensively,
as I heard that he wants people coming to his seminars from
out-of-town to get over their travel weariness. Sunday was full of
great techniques that built upon all of the principles Ikeda sensei
taught over the last two days. From breaking down kokyu-dosa into
some of its basic components to a great exposition of controlling uke
all throughout ushirowaza, Ikeda sensei taught a intensive,
sweat-producing two hour class fitting as a conclusion to a great
seminar.
Jun